English Studies
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- 2009
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Mark
Why Beth Must Die: Womanhood in Alcott´s Little Women
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- Bach. Degree
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Mark
Images and Symbols - the Silent Language of the Psyche: An analysis of the archetypal structure of Margaret Atwood´s Surfacing
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- Bach. Degree
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Mark
Briony Through Her Own Eyes; a discussion of the three Brionys in Ian McEwan´s Atonement
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- Bach. Degree
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Mark
Everlasting Love in Emily Brontë´s Wuthering Heights
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- Bach. Degree
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Mark
Preservation and Progress in Cranford
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- Bach. Degree
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Mark
Lost in adaptation? The secret garden as a novel and a film
(
- Bach. Degree
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Mark
Reviving an Angel? The Angel in the House in Chick Lit: Jane Green´s Life Swap, Marian Keyes´ Sushi for Beginners, and Sheila O´Flanagan's Bad Behaviour
(
- Bach. Degree
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Mark
Can such things be?: Analyzing supernatural elements in the short stories of Algernon Blackwood and Ambrose Bierce
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- Bach. Degree
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Mark
Emma, Harriet and Jane: The Representation of Three Women in Jane Austen´s Emma and Two Film Adaptations of the Novel
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- Bach. Degree
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Mark
Representation of Gender in the Harry Potter Series by J.K. Rowling: Traditional Roles and Gender Patterns
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- Bach. Degree
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Mark
Typical Teenagers in the Big City? A comparison between Holden Caulfield in J.D. Salinger´s The Catcher in the Rye and Holly Golightly in Truman Capote´s Breakfast at Tiffany´s
(
- Bach. Degree
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Mark
Deaths, Doctors, and Diseases - medical aspects of Dorothy L. Sayers´ Lord Peter Wimsey detective novels
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- Bach. Degree
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Mark
A Paradise created and destroyed: A comparison between the Chronicles of Narnia by C.S. Lewis, Genesis and The Book of Revelation
(
- Bach. Degree
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Mark
Parodies of Fairy Tales: Intrusive Narration in William Goldman's The Princess Bride
(
- Bach. Degree
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Mark
From Sense to Sensibility: David Lurie's Development in J.M. Coetzee's Disgrace
(
- Bach. Degree