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Humorn och politiken : den svenska skämtpressens humor och dess roll i demokratiseringsprocessen 1918-1922

Hansson, Axel LU (2023) HISS33 20231
History
Abstract
What makes something funny? This is the most basic, underlying question to this thesis, which explores the Swedish satire magazines Söndags-Nisse, Naggen and Strix on their journey through the pinnacle of the Swedish democratization process during the years 1918 to 1922. These types of magazines were of great popularity throughout all of Europe during parts of the late 19th century up until the interwar years, reaching a high – at least in Sweden – during the first world war. It is a genre that has been fairly underused in historical research, however and I intend to argue for its importance in the process of which Sweden became a democracy. Politics and policy was often of interest for the satire magazines and by applying a functional... (More)
What makes something funny? This is the most basic, underlying question to this thesis, which explores the Swedish satire magazines Söndags-Nisse, Naggen and Strix on their journey through the pinnacle of the Swedish democratization process during the years 1918 to 1922. These types of magazines were of great popularity throughout all of Europe during parts of the late 19th century up until the interwar years, reaching a high – at least in Sweden – during the first world war. It is a genre that has been fairly underused in historical research, however and I intend to argue for its importance in the process of which Sweden became a democracy. Politics and policy was often of interest for the satire magazines and by applying a functional perspective on the humor and comedy inherent in the genre while at the same time seeing the magazines as public arenas we can begin to discern how the humor worked both as a stepping stone into the world of politics and as a quite unique form of social commentary within its historical media system. The thesis is structured chronologically, with each year – 1918, 1921 and 1922 – being of great importance in the history of democracy in Sweden. During the first year general suffrage was agreed upon, but it was also a year in which the war in Europe affected the living standards in Sweden. Hence many of the satire magazines had a therapeutic function, in that they – from their respective vantage points – allowed their readers to ventilate any frustrations they carried concerning what was perceived to be incompetent politicians. 1921 was the year of the first election where general suffrage – for both men and women – was applied. At this point the satire magazines had moved on to a more existential function, by acting more as opinion formers in specific political issues. The following year was dominated by Sweden’s first referendum on the question of prohibition, in which the satire magazines were again heavily involved as opinion formers. The main conclusion is thus that these types of magazines played a bigger role in this rapid development in Swedish history than previous scholars have postulated, and that we can see how the magazines were constructed as public arenas in which the humor carried specific functions towards its audience. In many ways the satire magazines made politics and policy more accessible to certain groups of people, and helped to pave the way for democracy. (Less)
Popular Abstract (Swedish)
Vad är det egentligen som är så roligt? Denna fråga ställer man sig lätt när man tittar i gammal svensk skämtpress, som var en typ av tidning med en storhetstid kring sekelskiftet och första världskriget. De var roliga tidningar, men humor i historisk tid kan vara svår att förstå. För att göra detta behövs humorn sättas in i sitt sammanhang, och det är just detta jag har försökt göra. Sammanhanget är den svenska demokratiseringsprocessen, alltså den tid runt åren efter första världskriget då Sverige blev en demokrati. Detta var naturligtvis en process som hade börjat långt tidigare, men den nådde sin kulmen runt åren 1918-1922, vilket är samma tidsperiod som min undersökning fokuserar på. 1918 kom de första besluten om allmän och lika... (More)
Vad är det egentligen som är så roligt? Denna fråga ställer man sig lätt när man tittar i gammal svensk skämtpress, som var en typ av tidning med en storhetstid kring sekelskiftet och första världskriget. De var roliga tidningar, men humor i historisk tid kan vara svår att förstå. För att göra detta behövs humorn sättas in i sitt sammanhang, och det är just detta jag har försökt göra. Sammanhanget är den svenska demokratiseringsprocessen, alltså den tid runt åren efter första världskriget då Sverige blev en demokrati. Detta var naturligtvis en process som hade börjat långt tidigare, men den nådde sin kulmen runt åren 1918-1922, vilket är samma tidsperiod som min undersökning fokuserar på. 1918 kom de första besluten om allmän och lika rösträtt, 1921 hölls det första valet med dessa nya regler och 1922 var det första året då Sverige genomförde en folkomröstning, då i frågan om rusdrycksförbud. Vad jag i min undersökning har gjort är att titta på vad och hur skämtpressen skrev och ritade om dessa händelser, eftersom jag menar att tidigare forskning har missat denna genre som en del av Sveriges väg mot demokrati. Vad ville tidningarna egentligen säga till sina läsare när de skämtade om politiker? Under det svåra och påfrestande året 1918 fungerade skämtpressen mycket som en ventil för sina läsare, som i humorn kunde få utlopp för sina frustrationer. Tre år senare har demokratin börjat att genomföras och skämtpressen har mer och mer blivit opinionsbildare. Detta tyder på att tidningarna hur kritiska de än var mot politikerna förde dem närmare läsarna och bjöd in dem till att delta i politiska och samhälleliga frågor. Skämtpressen var dessutom en av få genrer som stod oberoende, eftersom de flesta dagstidningar var politiskt bundna och andra magasin ofta gavs ut av olika folkrörelser och intresseorganisationer. På så sätt hade skämtpressen en unik ställning som varande kommentator av sin egen tids samhälle och politik. (Less)
Please use this url to cite or link to this publication:
author
Hansson, Axel LU
supervisor
organization
course
HISS33 20231
year
type
H2 - Master's Degree (Two Years)
subject
keywords
Historia, 1900-talet, Demokratisering, Skämtpress, Humor, Offentlighet, Arena, Funktionalitet, Första världskriget, Rösträtt, Rusdrycksförbud
language
Swedish
id
9130499
date added to LUP
2023-10-23 13:47:28
date last changed
2023-10-23 13:47:28
@misc{9130499,
  abstract     = {{What makes something funny? This is the most basic, underlying question to this thesis, which explores the Swedish satire magazines Söndags-Nisse, Naggen and Strix on their journey through the pinnacle of the Swedish democratization process during the years 1918 to 1922. These types of magazines were of great popularity throughout all of Europe during parts of the late 19th century up until the interwar years, reaching a high – at least in Sweden – during the first world war. It is a genre that has been fairly underused in historical research, however and I intend to argue for its importance in the process of which Sweden became a democracy. Politics and policy was often of interest for the satire magazines and by applying a functional perspective on the humor and comedy inherent in the genre while at the same time seeing the magazines as public arenas we can begin to discern how the humor worked both as a stepping stone into the world of politics and as a quite unique form of social commentary within its historical media system. The thesis is structured chronologically, with each year – 1918, 1921 and 1922 – being of great importance in the history of democracy in Sweden. During the first year general suffrage was agreed upon, but it was also a year in which the war in Europe affected the living standards in Sweden. Hence many of the satire magazines had a therapeutic function, in that they – from their respective vantage points – allowed their readers to ventilate any frustrations they carried concerning what was perceived to be incompetent politicians. 1921 was the year of the first election where general suffrage – for both men and women – was applied. At this point the satire magazines had moved on to a more existential function, by acting more as opinion formers in specific political issues. The following year was dominated by Sweden’s first referendum on the question of prohibition, in which the satire magazines were again heavily involved as opinion formers. The main conclusion is thus that these types of magazines played a bigger role in this rapid development in Swedish history than previous scholars have postulated, and that we can see how the magazines were constructed as public arenas in which the humor carried specific functions towards its audience. In many ways the satire magazines made politics and policy more accessible to certain groups of people, and helped to pave the way for democracy.}},
  author       = {{Hansson, Axel}},
  language     = {{swe}},
  note         = {{Student Paper}},
  title        = {{Humorn och politiken : den svenska skämtpressens humor och dess roll i demokratiseringsprocessen 1918-1922}},
  year         = {{2023}},
}