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- 2011
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Mark
Realistic Fantasy or Fantastic Realism: On Defining the Genre in Susanna Clarke's Jonathan Strange & Mr Norrell
- Bach. Degree
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Mark
What to expect when crossing the threshold? The importance of paratexts and generic indications in The Fifth Child by Doris Lessing
- Bach. Degree
- 2010
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Mark
The Priest's Quest for Salvation in Graham Greene's The Power and the Glory
- Bach. Degree
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Mark
Relative misery in Nineteen Eighty-Four
- Bach. Degree
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Mark
Gendered Politics of the Un-Fanged: An Analysis of the Representation of Women in Bram Stoker's Dracula and Dacre Stoker and Ian Holt's Sequel, Dracula: The Un-Dead
- Bach. Degree
- 2009
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Mark
Mr Gatsby's Illusory Greatness
- Bach. Degree
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Mark
Old Traits and New Fiction, The Role of the Contemporary Bildungsroman in Contemporary Fiction : A Comparison Based on Hanif Kureishi's The Buddha of Suburbia and Charles Dickens' Great Expectations
- Bach. Degree
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Mark
Briony Through Her Own Eyes; a Discussion of the Three Brionys in Ian McEwan’s Atonement
- Bach. Degree
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Mark
Unreliable Narration in Vladimir Nabokov's Lolita
- Bach. Degree
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Mark
Sally Morgan's My Place: an account of unspoken history
- Bach. Degree