Decontextualisation of Street Art
(2019) p.41-52- Abstract
- This chapter discusses the increasing tendency to remove street art from its original site for personal gain. It further explores whether/how copyright claims can be an effective means of preventing such extractions.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/0c8b968d-a326-413b-b784-e1adc7161e6e
- author
- Bengtsen, Peter LU
- organization
- publishing date
- 2019-11
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- street art, street art studies, street art world, site-specific art, site-specificity, urban art, graffiti, urban creativity
- host publication
- The Cambridge Handbook of Copyright in Street Art and Graffiti
- editor
- Bonadio, Enrico
- pages
- 12 pages
- publisher
- Cambridge University Press
- external identifiers
-
- scopus:85098447785
- ISBN
- 9781108563581
- project
- The commercial status of street art (pilot study)
- language
- English
- LU publication?
- yes
- id
- 0c8b968d-a326-413b-b784-e1adc7161e6e
- date added to LUP
- 2018-02-26 18:25:48
- date last changed
- 2022-04-25 05:54:49
@inbook{0c8b968d-a326-413b-b784-e1adc7161e6e, abstract = {{This chapter discusses the increasing tendency to remove street art from its original site for personal gain. It further explores whether/how copyright claims can be an effective means of preventing such extractions.}}, author = {{Bengtsen, Peter}}, booktitle = {{The Cambridge Handbook of Copyright in Street Art and Graffiti}}, editor = {{Bonadio, Enrico}}, isbn = {{9781108563581}}, keywords = {{street art; street art studies; street art world; site-specific art; site-specificity; urban art; graffiti; urban creativity}}, language = {{eng}}, pages = {{41--52}}, publisher = {{Cambridge University Press}}, title = {{Decontextualisation of Street Art}}, year = {{2019}}, }