Gender Images in Sichuan Based TV Dramas
(2025) COSM40 20251Centre for East and South-East Asian Studies, Lund University
- Abstract
- This thesis investigates gender image in Sichuan based TV dramas supplemented with interviews with women from the region. This research focuses on the region of cultural Sichuan including Chongqing municipality and its perceived differing regional gender hierarchy. It utilizes Feminist Critical Discourse Analysis and Visual Analysis to examine the representation of Gender in two television dramas, New Life Begins 卿卿日常 (2022) and Sunshine By My Side 骄阳伴我 (2023), as well as commentary from women aged 25 to 45 from the region. The analysis of appearance, subtitling, and verbal interactions found that the depiction of gender and gender hierarchy still follows the patriarchal traditions the country subscribes to. But that there are attempts... (More)
- This thesis investigates gender image in Sichuan based TV dramas supplemented with interviews with women from the region. This research focuses on the region of cultural Sichuan including Chongqing municipality and its perceived differing regional gender hierarchy. It utilizes Feminist Critical Discourse Analysis and Visual Analysis to examine the representation of Gender in two television dramas, New Life Begins 卿卿日常 (2022) and Sunshine By My Side 骄阳伴我 (2023), as well as commentary from women aged 25 to 45 from the region. The analysis of appearance, subtitling, and verbal interactions found that the depiction of gender and gender hierarchy still follows the patriarchal traditions the country subscribes to. But that there are attempts within film to disrupt these norms as well as to highlight the regional ideas of pa’erduo (a man who listens to his wife) and lameizi (strong, tough, aggressive woman). The findings conclude that the portrayal of gender image and hierarchy is realistic given the negative depictions of many events and scenarios, but many interviewees encouraged researching its implications for the rest of the country as they believed the portrayal shows a realistic picture for not only Sichuan but throughout China. (Less)
Please use this url to cite or link to this publication:
http://lup.lub.lu.se/student-papers/record/9203006
- author
- Anderson, Ellen
- supervisor
-
- Jinyan Zeng LU
- organization
- course
- COSM40 20251
- year
- 2025
- type
- H2 - Master's Degree (Two Years)
- subject
- keywords
- gender image, gender hierarchy, cultural Sichuan, television drama, women’s experience, women’s expression, China
- language
- English
- id
- 9203006
- date added to LUP
- 2025-06-19 10:20:57
- date last changed
- 2025-06-19 10:20:57
@misc{9203006, abstract = {{This thesis investigates gender image in Sichuan based TV dramas supplemented with interviews with women from the region. This research focuses on the region of cultural Sichuan including Chongqing municipality and its perceived differing regional gender hierarchy. It utilizes Feminist Critical Discourse Analysis and Visual Analysis to examine the representation of Gender in two television dramas, New Life Begins 卿卿日常 (2022) and Sunshine By My Side 骄阳伴我 (2023), as well as commentary from women aged 25 to 45 from the region. The analysis of appearance, subtitling, and verbal interactions found that the depiction of gender and gender hierarchy still follows the patriarchal traditions the country subscribes to. But that there are attempts within film to disrupt these norms as well as to highlight the regional ideas of pa’erduo (a man who listens to his wife) and lameizi (strong, tough, aggressive woman). The findings conclude that the portrayal of gender image and hierarchy is realistic given the negative depictions of many events and scenarios, but many interviewees encouraged researching its implications for the rest of the country as they believed the portrayal shows a realistic picture for not only Sichuan but throughout China.}}, author = {{Anderson, Ellen}}, language = {{eng}}, note = {{Student Paper}}, title = {{Gender Images in Sichuan Based TV Dramas}}, year = {{2025}}, }