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Raphael's Madonna of the Goldfinch, Copies and the Abbey of Vallombrosa Reconsidered, appendix: 1867-70, the Vallombrosa Arguments in Letters and Publications

Holst-Ekström, Måns LU (1996)
Abstract
An investigation concerning a group of paintings sharing a common motif. The motif is the Madonna with the infants Jesus and Saint John, the Infant Jesus holding a goldfinch. Rapahel's version of the painting, in the Uffizi, is discussed in relation to a similar version of the motif that appeared in Sweden in the 1990's.
Please use this url to cite or link to this publication:
author
supervisor
organization
publishing date
type
Thesis
publication status
published
subject
keywords
Raphael, Vallombrosa, copy
pages
87 pages
language
English
LU publication?
yes
id
054b9e88-329d-4003-b1ba-c7821abf60e9 (old id 1779457)
date added to LUP
2016-04-04 13:43:20
date last changed
2018-11-21 21:15:50
@misc{054b9e88-329d-4003-b1ba-c7821abf60e9,
  abstract     = {{An investigation concerning a group of paintings sharing a common motif. The motif is the Madonna with the infants Jesus and Saint John, the Infant Jesus holding a goldfinch. Rapahel's version of the painting, in the Uffizi, is discussed in relation to a similar version of the motif that appeared in Sweden in the 1990's.}},
  author       = {{Holst-Ekström, Måns}},
  keywords     = {{Raphael; Vallombrosa; copy}},
  language     = {{eng}},
  note         = {{Licentiate Thesis}},
  title        = {{Raphael's Madonna of the Goldfinch, Copies and the Abbey of Vallombrosa Reconsidered, appendix: 1867-70, the Vallombrosa Arguments in Letters and Publications}},
  year         = {{1996}},
}