Exhibition Notes
(2022)- Abstract
- The Exhibition Notes installation includes Blind Volumes (2016/2022), a work that uses steel frames as a support, a kind of stage on which films and kinetic sculptures are displayed. Eight further artworks are choreographed around the gallery, transforming it into a place for experimentation. The gallery thus becomes a space where the constitutive elements of film, celluloid, projector and sound are presented: elements that often remain invisible, overlooked, and unexplored precisely because they are so obvious. By placing the various components of film in new experimental constellations, the artist liberates them from their original uses.
The exhibition includes the following works: One Way Out (2009), Color Clock (Blue):... (More) - The Exhibition Notes installation includes Blind Volumes (2016/2022), a work that uses steel frames as a support, a kind of stage on which films and kinetic sculptures are displayed. Eight further artworks are choreographed around the gallery, transforming it into a place for experimentation. The gallery thus becomes a space where the constitutive elements of film, celluloid, projector and sound are presented: elements that often remain invisible, overlooked, and unexplored precisely because they are so obvious. By placing the various components of film in new experimental constellations, the artist liberates them from their original uses.
The exhibition includes the following works: One Way Out (2009), Color Clock (Blue): Verticals Lean Occasionally Consistently Away from Viewpoints (2012), Spacelength Thought (2012), Color Studies (2013), The Long Poem Manipulates Spatial Organizations (2014), Conductor (2014/2021), Above the Plate and Receiver (2016) and Hear, There, Where the Echoes Are (2016/2022). They are united by their sculptural treatment of the material, their constant movement, their creation of colour and sound compositions and, ultimately, the way they form a precise and sophisticated artistic whole. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/2fb980fd-f9d2-4038-bb5e-62ac20320525
- artist
- Barba, Rosa LU
- curator
- Gregorič, Alenka
- organization
- publishing date
- 2022
- type
- Non-textual form
- publication status
- published
- subject
- publisher
- Cukrarna
- language
- English
- LU publication?
- yes
- id
- 2fb980fd-f9d2-4038-bb5e-62ac20320525
- date added to LUP
- 2025-04-24 09:38:11
- date last changed
- 2025-04-24 09:38:11
@misc{2fb980fd-f9d2-4038-bb5e-62ac20320525,
abstract = {{The Exhibition Notes installation includes Blind Volumes (2016/2022), a work that uses steel frames as a support, a kind of stage on which films and kinetic sculptures are displayed. Eight further artworks are choreographed around the gallery, transforming it into a place for experimentation. The gallery thus becomes a space where the constitutive elements of film, celluloid, projector and sound are presented: elements that often remain invisible, overlooked, and unexplored precisely because they are so obvious. By placing the various components of film in new experimental constellations, the artist liberates them from their original uses.<br/><br/>The exhibition includes the following works: One Way Out (2009), Color Clock (Blue): Verticals Lean Occasionally Consistently Away from Viewpoints (2012), Spacelength Thought (2012), Color Studies (2013), The Long Poem Manipulates Spatial Organizations (2014), Conductor (2014/2021), Above the Plate and Receiver (2016) and Hear, There, Where the Echoes Are (2016/2022). They are united by their sculptural treatment of the material, their constant movement, their creation of colour and sound compositions and, ultimately, the way they form a precise and sophisticated artistic whole.}},
author = {{Barba, Rosa and Gregorič, Alenka}},
language = {{eng}},
publisher = {{Cukrarna}},
title = {{Exhibition Notes}},
year = {{2022}},
}