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From Epipalaeolithic petroglyphs to Roman graffiti : Stylistic variability of anthropomorphs at Gebel el Silsila (Upper Egypt)

Nilsson, Maria LU orcid (2018) p.445-460
Abstract
Gebel el Silsila displays an astounding concentration of incised illustrations, of which anthropomorphic figures are frequent motifs. These figures were produced over several millennia: from prehistoric petroglyphs to pictorial graffiti of dynastic periods and throughout into Roman days. Spanning over six millennia visitors to Gebel el Silsila depicted huntsmen, warriors, boatmen, and horsemen, religious adoration scenes, apotropaic daemons, gods and human figures of varying iconographic complexity. These splendid commemorations range from minuscule, delicately carved figures to grand scenes, or rough and elusive hammered depictions. This paper aims to present stylistic, technical and chronological variability of anthropomorphic figures... (More)
Gebel el Silsila displays an astounding concentration of incised illustrations, of which anthropomorphic figures are frequent motifs. These figures were produced over several millennia: from prehistoric petroglyphs to pictorial graffiti of dynastic periods and throughout into Roman days. Spanning over six millennia visitors to Gebel el Silsila depicted huntsmen, warriors, boatmen, and horsemen, religious adoration scenes, apotropaic daemons, gods and human figures of varying iconographic complexity. These splendid commemorations range from minuscule, delicately carved figures to grand scenes, or rough and elusive hammered depictions. This paper aims to present stylistic, technical and chronological variability of anthropomorphic figures illustrated at Gebel el Silsila, including considerations of spatial distribution, archaeological context, and — if possible — an interpretation of their significance. (Less)
Abstract (Swedish)
Gebel el-Silsila displays an astounding concentration of incised illustrations, of which anthropomorphic figures are frequent motifs. These figures were produced over several millennia; from prehistoric petroglyphs to pictorial graffiti of dynastic periods and throughout into Roman days. Spanning over six millennia visitors to Gebel el Silsila depicted huntsmen, warriors, boatmen, and horsemen, religious adoration scenes, apotropaic daemons, gods and human figures of varying iconographic complexity. These splendid commemorations range from miniscule, delicately carved figures to grand scenes, or rough and elusive hammered depictions. This paper aims to present stylistic, technical and chronological variability of anthropomorphic figures... (More)
Gebel el-Silsila displays an astounding concentration of incised illustrations, of which anthropomorphic figures are frequent motifs. These figures were produced over several millennia; from prehistoric petroglyphs to pictorial graffiti of dynastic periods and throughout into Roman days. Spanning over six millennia visitors to Gebel el Silsila depicted huntsmen, warriors, boatmen, and horsemen, religious adoration scenes, apotropaic daemons, gods and human figures of varying iconographic complexity. These splendid commemorations range from miniscule, delicately carved figures to grand scenes, or rough and elusive hammered depictions. This paper aims to present stylistic, technical and chronological variability of anthropomorphic figures illustrated at Gebel el Silsila, including considerations of spatial distribution, archaeological context, and – if possible – an interpretation of their significance (Less)
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Chapter in Book/Report/Conference proceeding
publication status
published
subject
keywords
Gebel el Silsila, Rock Art, Fieldwork, Archaeology, proceedings, Gebel el Silsila, Archaeology, fieldwork, Rock Art, Prehistory, Graffiti, Egypt
host publication
What Ever Happened to the People? Humans and Anthropomorphs in the Rock Art of Northern Africa : international conference (Brussels, 17, 18 &​ 19 September 2015) - international conference (Brussels, 17, 18 &​ 19 September 2015)
editor
Huyge, Dirk and van Noten, Francis
pages
16 pages
publisher
Royal Academy for Overseas Sciences
ISBN
9789075652604
project
Pseudo script in Gebel el Silsila, a query into quarry marks, characters, codes and magic
language
English
LU publication?
yes
id
3e2bd309-49e0-4531-aea4-4fcf7c277eed
date added to LUP
2018-01-18 09:34:24
date last changed
2024-02-23 02:29:56
@inbook{3e2bd309-49e0-4531-aea4-4fcf7c277eed,
  abstract     = {{Gebel el Silsila displays an astounding concentration of incised illustrations, of which anthropomorphic figures are frequent motifs. These figures were produced over several millennia: from prehistoric petroglyphs to pictorial graffiti of dynastic periods and throughout into Roman days. Spanning over six millennia visitors to Gebel el Silsila depicted huntsmen, warriors, boatmen, and horsemen, religious adoration scenes, apotropaic daemons, gods and human figures of varying iconographic complexity. These splendid commemorations range from minuscule, delicately carved figures to grand scenes, or rough and elusive hammered depictions. This paper aims to present stylistic, technical and chronological variability of anthropomorphic figures illustrated at Gebel el Silsila, including considerations of spatial distribution, archaeological context, and — if possible — an interpretation of their significance.}},
  author       = {{Nilsson, Maria}},
  booktitle    = {{What Ever Happened to the People? Humans and Anthropomorphs in the Rock Art of Northern Africa : international conference (Brussels, 17, 18 &​ 19 September 2015)}},
  editor       = {{Huyge, Dirk and van Noten, Francis}},
  isbn         = {{9789075652604}},
  keywords     = {{Gebel el Silsila; Rock Art; Fieldwork; Archaeology; proceedings; Gebel el Silsila; Archaeology; fieldwork; Rock Art; Prehistory; Graffiti; Egypt}},
  language     = {{eng}},
  pages        = {{445--460}},
  publisher    = {{Royal Academy for Overseas Sciences}},
  title        = {{From Epipalaeolithic petroglyphs to Roman graffiti : Stylistic variability of anthropomorphs at Gebel el Silsila (Upper Egypt)}},
  year         = {{2018}},
}