An Authoring Discourse of Sorts: Effects of public film support on a national cinema (invited paper presentation)
(2013) The Third Annual Screen Industries in East-Central Europe Conference (SIECE) : Industrial Authorship- Abstract
- In the cinemas of small nations, infrastructural support systems aimed at endorsing and strengthening audiovisual production, tend to play an increasingly pivotal role. Since additional systems have been added, with the intent to, for instance, encourage co-production or to attract filming and post-production work to assorted places – and always coming with various provisions attached – one may speak of the support systems as an authoring discourse of sorts. Consequently, factors such as language, locations, genre, the nationality of the crew and the actors, and even where the individual crew members are registered as living, are frequently prescribed by provisions attached to the support. The present paper will use examples from... (More)
- In the cinemas of small nations, infrastructural support systems aimed at endorsing and strengthening audiovisual production, tend to play an increasingly pivotal role. Since additional systems have been added, with the intent to, for instance, encourage co-production or to attract filming and post-production work to assorted places – and always coming with various provisions attached – one may speak of the support systems as an authoring discourse of sorts. Consequently, factors such as language, locations, genre, the nationality of the crew and the actors, and even where the individual crew members are registered as living, are frequently prescribed by provisions attached to the support. The present paper will use examples from Scandinavia and will attempt to chart some of the ways in which the various public aids have played an important part in rendering, transform and ‘author’ what can be called the contemporary national cinema. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/4461264
- author
- Hedling, Olof LU
- organization
- publishing date
- 2013
- type
- Contribution to conference
- publication status
- unpublished
- subject
- keywords
- cinemas of small nations, infrastructural support systems, audiovisual production, national cinema
- pages
- 8 pages
- conference name
- The Third Annual Screen Industries in East-Central Europe Conference (SIECE) : Industrial Authorship
- conference location
- Palacký University, Olomouc, Czech Republic
- conference dates
- 2013-11-29 - 2013-12-01
- language
- English
- LU publication?
- yes
- id
- 6628f80c-e694-4e0c-b46e-3ddb669faf3a (old id 4461264)
- date added to LUP
- 2016-04-04 13:38:58
- date last changed
- 2018-11-21 21:15:21
@misc{6628f80c-e694-4e0c-b46e-3ddb669faf3a,
abstract = {{In the cinemas of small nations, infrastructural support systems aimed at endorsing and strengthening audiovisual production, tend to play an increasingly pivotal role. Since additional systems have been added, with the intent to, for instance, encourage co-production or to attract filming and post-production work to assorted places – and always coming with various provisions attached – one may speak of the support systems as an authoring discourse of sorts. Consequently, factors such as language, locations, genre, the nationality of the crew and the actors, and even where the individual crew members are registered as living, are frequently prescribed by provisions attached to the support. The present paper will use examples from Scandinavia and will attempt to chart some of the ways in which the various public aids have played an important part in rendering, transform and ‘author’ what can be called the contemporary national cinema.}},
author = {{Hedling, Olof}},
keywords = {{cinemas of small nations; infrastructural support systems; audiovisual production; national cinema}},
language = {{eng}},
title = {{An Authoring Discourse of Sorts: Effects of public film support on a national cinema (invited paper presentation)}},
year = {{2013}},
}