Performing Creative Work in Public
(2024) In Routledge Research in the Creative and Cultural Industries p.172-189- Abstract
- This chapter addresses artistic research through the concept of co-costuming in public—a material-discursive practice between humans and more-than-human materialities with co-creational potentials. The chapter documents how co-costumed entanglements cultivate the wearers’ sociomaterial relation-spatial sensitivity towards each other as well as towards other humans and more-than-human materialities.
It is argued that co-costumed phenomena transform the wearers creatively. This is a critical as well as a speculative “world-making” process to playfully co-reflect, co-respond, co-invent, co-sense, co-think and co-learn in the situation. Moreover, it is suggested that artistic research is a material-discursive practice where knowledge... (More) - This chapter addresses artistic research through the concept of co-costuming in public—a material-discursive practice between humans and more-than-human materialities with co-creational potentials. The chapter documents how co-costumed entanglements cultivate the wearers’ sociomaterial relation-spatial sensitivity towards each other as well as towards other humans and more-than-human materialities.
It is argued that co-costumed phenomena transform the wearers creatively. This is a critical as well as a speculative “world-making” process to playfully co-reflect, co-respond, co-invent, co-sense, co-think and co-learn in the situation. Moreover, it is suggested that artistic research is a material-discursive practice where knowledge is an ongoing co-creational and situational process. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/54233b80-7c7f-4e4e-a7cf-c4b931c28214
- author
- Østergaard, Charlotte LU
- organization
- publishing date
- 2024
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- costume, artistic resaerch, co-creative perfomance processes, co-creation
- host publication
- Creative Work : Conditions, Contexts and Practices - Conditions, Contexts and Practices
- series title
- Routledge Research in the Creative and Cultural Industries
- editor
- Andersson Cederholm, Erika ; Lindqvist, Katja ; de Wit Sandström, Ida and Warkander, Philip
- pages
- 18 pages
- publisher
- Routledge
- external identifiers
-
- scopus:85195758318
- ISBN
- 9781032509792
- DOI
- 10.4324/9781003402688-14
- project
- Crafting material bodies - exploring co-creative costume processes
- language
- English
- LU publication?
- yes
- additional info
- Ahmed, Sara. 2010. “Orientation matters.” In New materialism – ontology, agency, and politics edited by Coole, Diana and Frost, Samantha, 234–257. Durham & London: Duke University Press. Barad, Karen. 2007. Meeting the universe halfway – quantum physics and the entanglement of matter and meaning. London: Duke University Press. Barad, Karen. 2010. “Quantum entanglements and hauntological relations of inheritance: Dis/continuities, spacetime enfoldings, and justice-to-come.” Derrida Today, 3(2): 240–268. Performing Creative Work in Public 187 Barad, Karen. 2014. “Diffracting diffraction: Cutting together-apart.” Parallax, 20(3): 168–187. Bennett, Jane. 2010. Vibrant matter – a political ecology of things. Durham & London: Duke University Press. Cotter, Lucy. 2019. Reclaiming artistic research. Berlin: Hatje Cantz Verla. Dean, Sally E. 2021. “‘Aware-wearing’: A somatic costume design methodology for performance.” In Performance costume: New perspectives and methods edited by Pantouvaki, Sofia and McNeil, Peter, 229–244. Place: Bloomsbury Publishing. Kindle Edition. Groth, Camilla, Pevere, Margherita, Niinimäki, Kirsi and Kääriäinen, Pirjo. 2020. “Conditions for experiential knowledge exchange in collaborative research across the sciences and creative practice.” International Journal of CoCreation in Design and the Arts, 16(4): 328–344. 10.1080/15710882.2020. 1821713. Haraway, Donna. 1988. “Situated knowledge: the science question in feminism and the privilege if partial perspective.” Feminist Studies, 14(3): 575–599. Haraway, Donna. 2016. Staying with the trouble. Duke University Press. Higgins, Marc. 2020. “Response-ability revisited: Towards re(con)figuring scientific literacy, unsettling responsibility in science education.” Palgrave Studies in Educational Futures (open access): 271–319. Ingold, Tim. 2013. Making – Anthropology, archaeology, art, and architecture. Abingdon: Routledge. Ingold, Tim. 2016. “On human correspondence.” Journal of the Royal Anthropological Institute (N.S.), 23: 9–27. Juelskjær, Malou. 2019. At tænke med agential realisme. Nyt fra samfundsvidenskaberne. Lagerström, Cecilie. 2019. Konsten att gå: Övninaer i uppmärksamt gående. Möklinta: Gidlund. Le Grange, L. 2018. “Leading article: What is (post)qualitative research?” South African Journal of Higher Education, 32(5): 1–14. 10.20853/32-5-3161. Marshall, Susan. 2020. “Following the threads of scenographic costume at PQ19.” Theatre and Performance Design, 6(1–2): 165–181. 10.1080/23322551.2020. 1785229. Monks, Aoife. 2010. The actor in costume. Palgrave Macmillan. Osmond, Suzanne. 2021. “Fitting threads: Embodied conversations in the costume design process.” In Performance costume: new perspectives and methods edited by Pantouvaki, Sofia and McNeil, Peter, 277–294. Place: Bloomsbury Publishing. Kindle Edition. Skærbæk, Eva. 2009. “Leaving home? The “worlds” of knowledge, love and power.” In Teaching subjectivity – travelling selves for feminist pedagogy edited by Bizzine, Silvia Caporale and Malabotta, Melita Richter, 47–67. Athena. St. Pierre, Elizabeth Adams. 2014. “A brief and personal history of qualitative research.” Journal of Curriculum Theorizing, 30(2): 2–19. St. Pierre, Elizabeth Adams. 2018. “Writing post qualitative inquiry.” Qualitative Inquiry, 24(9): 603–608. Tanggaard, Lene. 2013. “The sociomateriality of creativity in everyday life.” Culture & Psychology, 19(1): 20–32. 188 Charlotte Østergaard Wenger, Étienne. 1998. Communities of practice: Learning, meaning and identity (Learning in Doing: Social, Cognitive and Computational Perspectives). Place: Cambridge University Press. Kindle Edition. Digital references Community Walk, https://www.metropolis.dk/en/charlotte-oestergaard/ Metropolis festival, Wa(l)king Copenhagen, https://www.metropolis.dk/en/walkingcopenhagen/ Metropolis https://www.metropolis.dk, accessed September 25, 2021. Video edit of Community Walk https://vimeo.com/646976159, https://vimeo.com/ 646976013, https://vimeo.com/646976084
- id
- 54233b80-7c7f-4e4e-a7cf-c4b931c28214
- date added to LUP
- 2024-01-24 20:00:10
- date last changed
- 2024-09-11 16:22:50
@inbook{54233b80-7c7f-4e4e-a7cf-c4b931c28214, abstract = {{This chapter addresses artistic research through the concept of co-costuming in public—a material-discursive practice between humans and more-than-human materialities with co-creational potentials. The chapter documents how co-costumed entanglements cultivate the wearers’ sociomaterial relation-spatial sensitivity towards each other as well as towards other humans and more-than-human materialities.<br/><br/>It is argued that co-costumed phenomena transform the wearers creatively. This is a critical as well as a speculative “world-making” process to playfully co-reflect, co-respond, co-invent, co-sense, co-think and co-learn in the situation. Moreover, it is suggested that artistic research is a material-discursive practice where knowledge is an ongoing co-creational and situational process.}}, author = {{Østergaard, Charlotte}}, booktitle = {{Creative Work : Conditions, Contexts and Practices}}, editor = {{Andersson Cederholm, Erika and Lindqvist, Katja and de Wit Sandström, Ida and Warkander, Philip}}, isbn = {{9781032509792}}, keywords = {{costume; artistic resaerch; co-creative perfomance processes; co-creation}}, language = {{eng}}, pages = {{172--189}}, publisher = {{Routledge}}, series = {{Routledge Research in the Creative and Cultural Industries}}, title = {{Performing Creative Work in Public}}, url = {{http://dx.doi.org/10.4324/9781003402688-14}}, doi = {{10.4324/9781003402688-14}}, year = {{2024}}, }