“Our community is not commodity” : A visual storytelling of subtle resistance in creative cities
Habibi, Zaki LU
(2019)
Lund Urban Creativity Conference 2019
- Abstract
- This paper examines cultural practices by contemporary creative collectives in two creative cities in Southeast Asia: George Town in Malaysia and Bandung in Indonesia. The aim is to address the tensions within the narrative branding of these post-colonial cities and the disruption of this narrative through everyday tactics of creative collectives who are rendered silent and unnoticed. The analysis explores the everyday lived experiences of individuals within the urban creative collectives as a kind of community who works collaboratively as crafter, visual artist, independent library or art space manager, and graphic designer. Informed by a series of field research in 2016-2017 through a combination of ethnographic observation and... (More)
- This paper examines cultural practices by contemporary creative collectives in two creative cities in Southeast Asia: George Town in Malaysia and Bandung in Indonesia. The aim is to address the tensions within the narrative branding of these post-colonial cities and the disruption of this narrative through everyday tactics of creative collectives who are rendered silent and unnoticed. The analysis explores the everyday lived experiences of individuals within the urban creative collectives as a kind of community who works collaboratively as crafter, visual artist, independent library or art space manager, and graphic designer. Informed by a series of field research in 2016-2017 through a combination of ethnographic observation and interview, and visual methodology in the form of photo-documentation, it argues that the creative collectives in the cities use disruptive tactics that form subtle resistance to the official narratives. These tactics include their inventiveness and resourcefulness through everyday creative practices, and their articulation of identities from grass-root level. The subtle resistance is evidenced in three inter-related analytical themes presented here in the form of a photo-essay as visual storytelling. These themes are disruption of memories, politics of recognition, and formation of organic space. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/97f0a24b-79dc-4826-bcf7-4edb8a809c9c
- author
- Habibi, Zaki
LU
- organization
- publishing date
- 2019-05-18
- type
- Contribution to conference
- publication status
- unpublished
- subject
- keywords
- urban studies, urban creativity, creative collective, visual method, visual storytelling, creative city
- conference name
- Lund Urban Creativity Conference 2019
- conference location
- Lund, Sweden
- conference dates
- 2019-05-15 - 2019-05-18
- project
- Mediated Urban Creativity in Southeast Asian Cities
- language
- English
- LU publication?
- yes
- id
- 97f0a24b-79dc-4826-bcf7-4edb8a809c9c
- date added to LUP
- 2019-05-24 12:06:24
- date last changed
- 2019-06-12 15:31:48
@misc{97f0a24b-79dc-4826-bcf7-4edb8a809c9c,
abstract = {{This paper examines cultural practices by contemporary creative collectives in two creative cities in Southeast Asia: George Town in Malaysia and Bandung in Indonesia. The aim is to address the tensions within the narrative branding of these post-colonial cities and the disruption of this narrative through everyday tactics of creative collectives who are rendered silent and unnoticed. The analysis explores the everyday lived experiences of individuals within the urban creative collectives as a kind of community who works collaboratively as crafter, visual artist, independent library or art space manager, and graphic designer. Informed by a series of field research in 2016-2017 through a combination of ethnographic observation and interview, and visual methodology in the form of photo-documentation, it argues that the creative collectives in the cities use disruptive tactics that form subtle resistance to the official narratives. These tactics include their inventiveness and resourcefulness through everyday creative practices, and their articulation of identities from grass-root level. The subtle resistance is evidenced in three inter-related analytical themes presented here in the form of a photo-essay as visual storytelling. These themes are disruption of memories, politics of recognition, and formation of organic space.}},
author = {{Habibi, Zaki}},
keywords = {{urban studies; urban creativity; creative collective; visual method; visual storytelling; creative city}},
language = {{eng}},
month = {{05}},
title = {{“Our community is not commodity” : A visual storytelling of subtle resistance in creative cities}},
year = {{2019}},
}