Live Reality Television : Care structures within the production and reception of talent shows
(2019) In Critical Studies in Television 14(1). p.7-21- Abstract
- This article focuses on production and reception practices for live reality television, using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance there was a play off between the value and meaning of the live events as a temporary experience captured by ratings and social media, and the more enduring collective-social experience of this reality series over time.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/ad99377f-f938-4254-bf55-64daef8a4354
- author
- Hill, Annette LU ; Askanius, Tina LU and Kondo, Koko
- organization
- publishing date
- 2019
- type
- Contribution to journal
- publication status
- published
- subject
- keywords
- reality television, live events, television production, television audiences
- in
- Critical Studies in Television
- volume
- 14
- issue
- 1
- pages
- 15 pages
- publisher
- SAGE Publications
- external identifiers
-
- scopus:85048260238
- ISSN
- 1749-6020
- DOI
- 10.1177/1749602018774458
- language
- English
- LU publication?
- yes
- id
- ad99377f-f938-4254-bf55-64daef8a4354
- date added to LUP
- 2018-06-17 11:54:37
- date last changed
- 2022-04-25 08:02:36
@article{ad99377f-f938-4254-bf55-64daef8a4354, abstract = {{This article focuses on production and reception practices for live reality television, using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance there was a play off between the value and meaning of the live events as a temporary experience captured by ratings and social media, and the more enduring collective-social experience of this reality series over time.}}, author = {{Hill, Annette and Askanius, Tina and Kondo, Koko}}, issn = {{1749-6020}}, keywords = {{reality television; live events; television production; television audiences}}, language = {{eng}}, number = {{1}}, pages = {{7--21}}, publisher = {{SAGE Publications}}, series = {{Critical Studies in Television}}, title = {{Live Reality Television : Care structures within the production and reception of talent shows}}, url = {{http://dx.doi.org/10.1177/1749602018774458}}, doi = {{10.1177/1749602018774458}}, volume = {{14}}, year = {{2019}}, }