Saga’s Story : Emotional Engagement in the Production and Reception of The Bridge
(2018) p.269-284- Abstract
- This research examines emotional engagement with Nordic crime drama The Bridge, using a cultural approach to genre, affect and emotion, and exploring how executive and creative producers, artistic performers, and audiences all perform specific practices that culminate in the co-production of intense engagement with this crime drama. The fieldwork took place during 2013-2016, with 40 production interviews and 170 audience interviews and participant observations in Sweden, Denmark, and Great Britain. A key research question concerns how genre, affect and emotion are interwoven in the fine details of the production of this crime drama and audience engagement with it.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/c5800798-5781-4ca7-9a19-8339409fc5d3
- author
- Hill, Annette LU
- organization
- publishing date
- 2018-12-06
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- nordic noir, television audiences, media industries
- host publication
- European Television Crime Drama and Beyond
- editor
- Toft Hansen, Kim ; Peacock, Steven and Turnbull, Sue
- pages
- 269 - 284
- publisher
- Palgrave Macmillan
- ISBN
- 978-3-319-96887-2
- 978-3-319-96886-5
- project
- Media Experiences
- language
- English
- LU publication?
- yes
- id
- c5800798-5781-4ca7-9a19-8339409fc5d3
- date added to LUP
- 2018-12-07 11:15:00
- date last changed
- 2021-12-22 15:48:12
@inbook{c5800798-5781-4ca7-9a19-8339409fc5d3, abstract = {{This research examines emotional engagement with Nordic crime drama The Bridge, using a cultural approach to genre, affect and emotion, and exploring how executive and creative producers, artistic performers, and audiences all perform specific practices that culminate in the co-production of intense engagement with this crime drama. The fieldwork took place during 2013-2016, with 40 production interviews and 170 audience interviews and participant observations in Sweden, Denmark, and Great Britain. A key research question concerns how genre, affect and emotion are interwoven in the fine details of the production of this crime drama and audience engagement with it.}}, author = {{Hill, Annette}}, booktitle = {{European Television Crime Drama and Beyond}}, editor = {{Toft Hansen, Kim and Peacock, Steven and Turnbull, Sue}}, isbn = {{978-3-319-96887-2}}, keywords = {{nordic noir; television audiences; media industries}}, language = {{eng}}, month = {{12}}, pages = {{269--284}}, publisher = {{Palgrave Macmillan}}, title = {{Saga’s Story : Emotional Engagement in the Production and Reception of<i> The Bridge</i>}}, year = {{2018}}, }