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Drawing the Line: Evaluation, Boundary Work, and Boundary Objects in a New Discipline

Gerber, Alison LU orcid (2022) p.377-404
Abstract
Artistic research—research carried out by artists, through artistic practice—displays the markers of a burgeoning academic discipline. Dominant perspectives on research cultures would therefore predict that practitioners’ boundary work would play a decisive role in the development of this field. But when binary understandings come up against multiplex meanings, when and how do binaries matter? Focusing on documentary evidence drawn from the Swedish artistic research field, I consider how evaluations and boundaries interact in this emerging research discipline by theorizing the relationship between commitments to boundary work and orientations to boundary objects. This analytical perspective offers specific insights into the definition of... (More)
Artistic research—research carried out by artists, through artistic practice—displays the markers of a burgeoning academic discipline. Dominant perspectives on research cultures would therefore predict that practitioners’ boundary work would play a decisive role in the development of this field. But when binary understandings come up against multiplex meanings, when and how do binaries matter? Focusing on documentary evidence drawn from the Swedish artistic research field, I consider how evaluations and boundaries interact in this emerging research discipline by theorizing the relationship between commitments to boundary work and orientations to boundary objects. This analytical perspective offers specific insights into the definition of new artistic and academic fields, and how the research conducted within them is evaluated. (Less)
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Chapter in Book/Report/Conference proceeding
publication status
published
subject
host publication
The Cultural Sociology of Art and Music : New Directions and New Discoveries - New Directions and New Discoveries
editor
McCormick, Lisa
article number
Chapter 14
pages
377 - 404
publisher
Springer International Publishing
ISBN
978-3-031-11420-5
978-3-031-11419-9
DOI
10.1007/978-3-031-11420-5_14
project
Drawing the line: comparison and evaluation in emerging disciplines
language
English
LU publication?
yes
id
caa895f6-0167-4da4-8b05-83ad6302c4ce
alternative location
https://osf.io/preprints/socarxiv/yxef4/
date added to LUP
2023-01-02 11:57:53
date last changed
2023-01-06 02:44:15
@inbook{caa895f6-0167-4da4-8b05-83ad6302c4ce,
  abstract     = {{Artistic research—research carried out by artists, through artistic practice—displays the markers of a burgeoning academic discipline. Dominant perspectives on research cultures would therefore predict that practitioners’ boundary work would play a decisive role in the development of this field. But when binary understandings come up against multiplex meanings, when and how do binaries matter? Focusing on documentary evidence drawn from the Swedish artistic research field, I consider how evaluations and boundaries interact in this emerging research discipline by theorizing the relationship between commitments to boundary work and orientations to boundary objects. This analytical perspective offers specific insights into the definition of new artistic and academic fields, and how the research conducted within them is evaluated.}},
  author       = {{Gerber, Alison}},
  booktitle    = {{The Cultural Sociology of Art and Music : New Directions and New Discoveries}},
  editor       = {{McCormick, Lisa}},
  isbn         = {{978-3-031-11420-5}},
  language     = {{eng}},
  pages        = {{377--404}},
  publisher    = {{Springer International Publishing}},
  title        = {{Drawing the Line: Evaluation, Boundary Work, and Boundary Objects in a New Discipline}},
  url          = {{http://dx.doi.org/10.1007/978-3-031-11420-5_14}},
  doi          = {{10.1007/978-3-031-11420-5_14}},
  year         = {{2022}},
}