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Mobilising affect for public art: affective practice in voluntary organising

Lüthy, Christina LU orcid (2024) In Organization Studies 45(11). p.1555-1577
Abstract
Voluntary organising frequently relies on affective intensities to direct organisational efforts. However, it is not well understood how these intensities are cultivated across time and different contexts to engage and coordinate heterogeneous actors. By applying a practice approach to affect, this paper proposes the concept of affective practices to theorise how affect is mobilised in materially driven (inter)actions to shape actions and relationalities around organisational goals. The analysis of ethnographic data from a long-term public art project reveals that four affective practices – enticing, envisioning, attending and asserting – are pivotal to sustaining the distributed process of voluntary organising. The sense of fascination,... (More)
Voluntary organising frequently relies on affective intensities to direct organisational efforts. However, it is not well understood how these intensities are cultivated across time and different contexts to engage and coordinate heterogeneous actors. By applying a practice approach to affect, this paper proposes the concept of affective practices to theorise how affect is mobilised in materially driven (inter)actions to shape actions and relationalities around organisational goals. The analysis of ethnographic data from a long-term public art project reveals that four affective practices – enticing, envisioning, attending and asserting – are pivotal to sustaining the distributed process of voluntary organising. The sense of fascination, enthusiasm, care and discomfort that these affective practices mobilise instigates participation, support, acceptance and compliance from diverse partners, volunteers and the local public. Contributing to the affective turn in practice theory, the paper theorises how affective processes are cultivated as situative accomplishments in an ongoing and translocal organisational process, highlighting the important role played by the vibrant presence of matter in affective practices. Additionally, the study expands our understanding of how an interplay of affective intensities engages and aligns diverse individuals and groups in voluntary organising by fostering coalitional moments in the organisational process. (Less)
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author
organization
publishing date
type
Contribution to journal
publication status
published
subject
keywords
affect theory, attunement, coalitional moments, contemporary art, ethnography, materiality, practice theory, voluntary organising
in
Organization Studies
volume
45
issue
11
pages
1555 - 1577
publisher
SAGE Publications
external identifiers
  • scopus:85204097784
  • pmid:39493552
ISSN
0170-8406
DOI
10.1177/01708406241273828
language
English
LU publication?
yes
id
fa9fbe94-04a2-4fb3-8e8a-86635f47b2a9
date added to LUP
2024-09-20 10:59:15
date last changed
2025-06-21 03:00:07
@article{fa9fbe94-04a2-4fb3-8e8a-86635f47b2a9,
  abstract     = {{Voluntary organising frequently relies on affective intensities to direct organisational efforts. However, it is not well understood how these intensities are cultivated across time and different contexts to engage and coordinate heterogeneous actors. By applying a practice approach to affect, this paper proposes the concept of affective practices to theorise how affect is mobilised in materially driven (inter)actions to shape actions and relationalities around organisational goals. The analysis of ethnographic data from a long-term public art project reveals that four affective practices – enticing, envisioning, attending and asserting – are pivotal to sustaining the distributed process of voluntary organising. The sense of fascination, enthusiasm, care and discomfort that these affective practices mobilise instigates participation, support, acceptance and compliance from diverse partners, volunteers and the local public. Contributing to the affective turn in practice theory, the paper theorises how affective processes are cultivated as situative accomplishments in an ongoing and translocal organisational process, highlighting the important role played by the vibrant presence of matter in affective practices. Additionally, the study expands our understanding of how an interplay of affective intensities engages and aligns diverse individuals and groups in voluntary organising by fostering coalitional moments in the organisational process.}},
  author       = {{Lüthy, Christina}},
  issn         = {{0170-8406}},
  keywords     = {{affect theory; attunement; coalitional moments; contemporary art; ethnography; materiality; practice theory; voluntary organising}},
  language     = {{eng}},
  number       = {{11}},
  pages        = {{1555--1577}},
  publisher    = {{SAGE Publications}},
  series       = {{Organization Studies}},
  title        = {{Mobilising affect for public art: affective practice in voluntary organising}},
  url          = {{http://dx.doi.org/10.1177/01708406241273828}},
  doi          = {{10.1177/01708406241273828}},
  volume       = {{45}},
  year         = {{2024}},
}