Division of Creative Writing Program, Film Studies, and Theatre Studies
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- 2018
-
Mark
“One need never doubt one’s worth in the market” : Notes on the Production Contexts of Bergman's Film Career
(
- Contribution to conference › Paper, not in proceeding
-
Mark
No country for old men : utopian stories of welfare society’s shortcomings in A Man Called Ove and The 100-Year-Old Man
(
- Contribution to journal › Article
-
Mark
Spaces of becoming: the Stockholm Film Workshop as a transnational site of film production
2018) p.40-51(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
The Mash-up of Aesthetics, Theory and Politics in Laibach's Meta-sound
2018)(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Ulla Sjöblom
2018) In Svenskt kvinnobiografiskt lexikon(
- Chapter in Book/Report/Conference proceeding › Entry for encyclopaedia/dictionary
-
Mark
Inga Tidblad
2018) In Svenskt kvinnobiografiskt lexikon(
- Chapter in Book/Report/Conference proceeding › Entry for encyclopaedia/dictionary
-
Mark
Ingrid Thulin
2018) In Svenskt kvinnobiografiskt lexikon(
- Chapter in Book/Report/Conference proceeding › Entry for encyclopaedia/dictionary
-
Mark
Gunn Wållgren
2018) In Svenskt kvinnobiografiskt lexikon(
- Chapter in Book/Report/Conference proceeding › Entry for encyclopaedia/dictionary
-
Mark
Kvartett
2018)(
- Book/Report › Book
- 2017
-
Mark
The Filmic Century/Centuries of the Mind : Tracing the Beginnings of the Subjective Cinema
2017) p.78-90(
- Chapter in Book/Report/Conference proceeding › Book chapter