Division of Musicology and Intermedia Studies
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- 2017
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Mark
“Take the Beuys off!” – Reconsidering the Current Concept of Ekphrasis in the Performative Poetry of Thomas Kling : A portrait poem by the German poet Thomas Kling (1957-2005) about the German artist Joseph Beuys is the starting point to reconsider the current ekphrasis discourse in the light of experienced visuality by combining the concept of ancient rhetoric with modern ideas of imagination, multimodality and performativity.
(
- Contribution to journal › Article
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Mark
Miranda Landen
2017) In Årsbok för Lunds universitetshistoriska sällskap(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
Joel Ohlsson
2017) p.339-339(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
“Take the Beuys off!” : – Reconsidering the Current Concept of Ekphrasis in the Performative Poetry of Thomas Kling
(
- Contribution to journal › Article
-
Mark
Performer composer panel : Panel discussion with Kristian Hverring, Louise Alenius and Simon Steen-Andersen
2017) In Seismograf(
- Contribution to journal › Article
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Mark
Composers on Stage : Ambiguous authorship in contemporary music performance
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- Contribution to journal › Article
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Mark
Composer / Performer
(2017) In Seismograf
- Contribution to journal › Special issue (editor)
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Mark
An Anthropocene Automaton? : On Wayne Siegel's work for computer controlled organ: Celebration
2017)(
- Other contribution › Miscellaneous
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Mark
Sound Art Situations
(
- Contribution to journal › Article
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Mark
Poesier & kombinationer : Bruno K. Öijers intermediala poesi
(
- Book/Report › Book