Charlotta Krispinsson (Former)
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- 2022
-
Mark
Striving for Close Resemblance or Creative Improvements : On Painted Copies and Workshop Replicas from the Sixteenth and Seventeenth Century in Swedish Art History
- Contribution to journal › Article
-
Mark
Studies of Early Modern Portraiture
(2022) p.145-155
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Three Portrait Multiples of Margareta Eriksdotter Vasa from the German Renaissance
- Chapter in Book/Report/Conference proceeding › Paper in conference proceeding
- 2020
-
Mark
A Farewell to Critique? : Reconsidering Critique as Art Historical Method
- Contribution to journal › Debate/Note/Editorial
- 2019
-
Mark
Painted copies and views on authenticity in seventeenth-century Sweden
(2019) Faking it.
- Contribution to conference › Other
-
Mark
Early 20th-Century Curatorial Strategies to Enhance the Power of Portraiture : Ludwig Justi and the National Portrait Gallery in Berlin 1913-1933
(2019) CAA’s 2019 Annual Conference
- Contribution to conference › Other
-
Mark
The painter as professional observer : Eye-witnessing through portraiture in early twentieth-century art historiography
(2019) p.67-76
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2018
-
Mark
In the Presence of Great Men : The German National Portrait Gallery 1913-1933
(2018) Portraiture
- Contribution to conference › Other
-
Mark
Temptation, Resistance, and Art Objects : On the Lack of Material Theory within Art History before the Material Turn
- Contribution to journal › Article
-
Mark
The True Image
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
