Erik Zillén
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- 2016
-
Mark
Frödings "Säf, säf, susa" als Ballade, Musikvideo und Comic
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Redistributed Bodiliness : The Reception of French Fable Comedies in Eighteenth-Century Scandinavia
2016) p.49-66(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2015
-
Mark
Death of a Genre? The Aesopic Fable in Confrontation with Modernity
2015) XXIème Congrès de la Société Internationale Renardienne(
- Contribution to conference › Paper, not in proceeding
-
Mark
Reconfigurations of Mythology in Sixteenth-Century Lutheran Collections of Aesopic Fables
2015) p.465-479(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Frödings ”Säf, säf, susa”, balladgenren och Mando Diao
2015) Balladenwelten. Transmediale Rezeption mittelalterlicher Balladen in der skandinavischen Moderne(
- Contribution to conference › Paper, not in proceeding
-
Mark
Tidigmodernitet som epokbegrepp i svensk fabelhistoria
2015) Tidigmoderna epokbegrepp. Tillkomst, innebörd, användning(
- Contribution to conference › Paper, not in proceeding
- 2014
-
Mark
Poczet królów polskich i bajka lafontenowska w moralizatorskim dziele osiemnastowiecznej literatury szwedzkiej
(
- Contribution to journal › Article
-
Mark
Fusion and Diffusion : French Fable Drama in Eighteenth-Century Scandinavia
2014) Kosmopolitismus & Körperlichkeit im europäischen Drama des 18. Jahrhunderts(
- Contribution to conference › Paper, not in proceeding
- 2013
-
Mark
ENKÄT: Vem är Sveriges mest oförtjänt bortglömda författare?
2013)(
- Other contribution › Miscellaneous
-
Mark
The Dancing Bear from Spain. On the Swedish Reception of Fábulas literarias (1782)
2013) The XXth Colloquium of the International Reynard Society(
- Contribution to conference › Paper, not in proceeding