The Welfare State Depicted: Post-Utopian Landscapes in Ingmar Bergman's Films
(2008) p.180-193- Abstract
- This essay studies the depiction of landscape in Bergman's films in relation to traditional imagery in Swedish films. Bergman's landscapes are here regarded as an implicit criticism of the self-image of the Swedish model welfare state.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/1048217
- author
- Hedling, Erik LU
- organization
- publishing date
- 2008
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- landscape, Bergman's films as other, Swedish film, welfare state, Bergman
- host publication
- Ingmar Bergman revisited: Performance, Cinema and the Arts
- editor
- Koskinen, Maaret
- pages
- 180 - 193
- publisher
- Wallflower Press
- ISBN
- 978-1-905674-33-6
- project
- (Movies and Welfare Institutions in Sweden)
- language
- English
- LU publication?
- yes
- id
- 80f7dd74-2ed4-441c-9f46-3ba5567bf125 (old id 1048217)
- date added to LUP
- 2016-04-04 10:34:54
- date last changed
- 2018-11-21 20:59:35
@inbook{80f7dd74-2ed4-441c-9f46-3ba5567bf125, abstract = {{This essay studies the depiction of landscape in Bergman's films in relation to traditional imagery in Swedish films. Bergman's landscapes are here regarded as an implicit criticism of the self-image of the Swedish model welfare state.}}, author = {{Hedling, Erik}}, booktitle = {{Ingmar Bergman revisited: Performance, Cinema and the Arts}}, editor = {{Koskinen, Maaret}}, isbn = {{978-1-905674-33-6}}, keywords = {{landscape; Bergman's films as other; Swedish film; welfare state; Bergman}}, language = {{eng}}, pages = {{180--193}}, publisher = {{Wallflower Press}}, title = {{The Welfare State Depicted: Post-Utopian Landscapes in Ingmar Bergman's Films}}, year = {{2008}}, }