Raphael's Madonna of the Goldfinch, Copies and the Abbey of Vallombrosa Reconsidered, appendix: 1867-70, the Vallombrosa Arguments in Letters and Publications
(1996)- Abstract
- An investigation concerning a group of paintings sharing a common motif. The motif is the Madonna with the infants Jesus and Saint John, the Infant Jesus holding a goldfinch. Rapahel's version of the painting, in the Uffizi, is discussed in relation to a similar version of the motif that appeared in Sweden in the 1990's.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/1779457
- author
- Holst-Ekström, Måns LU
- supervisor
- organization
- publishing date
- 1996
- type
- Thesis
- publication status
- published
- subject
- keywords
- Raphael, Vallombrosa, copy
- pages
- 87 pages
- language
- English
- LU publication?
- yes
- id
- 054b9e88-329d-4003-b1ba-c7821abf60e9 (old id 1779457)
- date added to LUP
- 2016-04-04 13:43:20
- date last changed
- 2018-11-21 21:15:50
@misc{054b9e88-329d-4003-b1ba-c7821abf60e9, abstract = {{An investigation concerning a group of paintings sharing a common motif. The motif is the Madonna with the infants Jesus and Saint John, the Infant Jesus holding a goldfinch. Rapahel's version of the painting, in the Uffizi, is discussed in relation to a similar version of the motif that appeared in Sweden in the 1990's.}}, author = {{Holst-Ekström, Måns}}, keywords = {{Raphael; Vallombrosa; copy}}, language = {{eng}}, note = {{Licentiate Thesis}}, title = {{Raphael's Madonna of the Goldfinch, Copies and the Abbey of Vallombrosa Reconsidered, appendix: 1867-70, the Vallombrosa Arguments in Letters and Publications}}, year = {{1996}}, }