“…was an Musik des Nordens nur nordisch maskiert ist." Konstruktion und Rezeption "nordischer" Musik im deutschsprachigen Musikdiskurs
(2003)- Abstract
- The article analyses the Nazi socialist construction of "Nordic Music" and gives examples of it's use in the years 1933-1945. It focusses on the funktionalization of musicians and composers of the Nordic countries by the Nazis and on the politization of musical ideas. In order to create and to uplift a worldwide image of German cultural superiority the semantics of Nazi music terminology changed. "Nordic music" was connotated on a rasist ground and the change of it's use can be seen as one idealtypical example for the Nazi socialist influence on the scientific discourse.
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/536835
- author
- Geisler, Ursula LU
- organization
- publishing date
- 2003
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- Musicology, Music, Musikvetenskap, Musik, Music and Politics, National Socialism, Swedish Music Reception, Nordic Music
- host publication
- Sprache und Politik im skandinavischen und deutschen Kontext 1933-1945 (= Schriften des Centers für deutsch-dänischen Kulturtransfer; 5)
- editor
- Almgren, Birgitta and Kirsch, Frank-Michael
- publisher
- Aalborg Universitetsforlag
- ISBN
- 8773076899
- language
- German
- LU publication?
- yes
- id
- 49dd367d-338b-46c7-9c39-40bdc980c704 (old id 536835)
- date added to LUP
- 2016-04-04 10:46:43
- date last changed
- 2020-02-27 13:07:29
@inbook{49dd367d-338b-46c7-9c39-40bdc980c704, abstract = {{The article analyses the Nazi socialist construction of "Nordic Music" and gives examples of it's use in the years 1933-1945. It focusses on the funktionalization of musicians and composers of the Nordic countries by the Nazis and on the politization of musical ideas. In order to create and to uplift a worldwide image of German cultural superiority the semantics of Nazi music terminology changed. "Nordic music" was connotated on a rasist ground and the change of it's use can be seen as one idealtypical example for the Nazi socialist influence on the scientific discourse.}}, author = {{Geisler, Ursula}}, booktitle = {{Sprache und Politik im skandinavischen und deutschen Kontext 1933-1945 (= Schriften des Centers für deutsch-dänischen Kulturtransfer; 5)}}, editor = {{Almgren, Birgitta and Kirsch, Frank-Michael}}, isbn = {{8773076899}}, keywords = {{Musicology; Music; Musikvetenskap; Musik; Music and Politics; National Socialism; Swedish Music Reception; Nordic Music}}, language = {{ger}}, publisher = {{Aalborg Universitetsforlag}}, title = {{“…was an Musik des Nordens nur nordisch maskiert ist." Konstruktion und Rezeption "nordischer" Musik im deutschsprachigen Musikdiskurs}}, url = {{https://lup.lub.lu.se/search/files/5618970/625648.htm}}, year = {{2003}}, }