The Origins and Evolution of Design : A Stage-Based Model
Mendoza-Collazos, Juan LU
; Zlatev, Jordan
LU
and Sonesson, Göran
LU
(2021)
In Interdisciplinary Evolution Research
6.
p.161-173
- Abstract
- Within a broader definition of design, as the conception and planning of everything that is artificial, the place of tools is central. With the help of cognitive semiotics in general and Donald’s theory of the evolution of the human mind in particular, we propose a stage model for the evolution of design, consisting of four stages: Proto-design, Simple design, Complex design, and Advanced design, some of which are further divided into substages. We argue that nonhuman animals are capable of Proto-design, but it is only with the advent of stone tool technology in hominins that we witness Simple design. The stages are individuated based on evidence from archaeology and cognitive science, but also on the particular semiotic resources that are... (More)
- Within a broader definition of design, as the conception and planning of everything that is artificial, the place of tools is central. With the help of cognitive semiotics in general and Donald’s theory of the evolution of the human mind in particular, we propose a stage model for the evolution of design, consisting of four stages: Proto-design, Simple design, Complex design, and Advanced design, some of which are further divided into substages. We argue that nonhuman animals are capable of Proto-design, but it is only with the advent of stone tool technology in hominins that we witness Simple design. The stages are individuated based on evidence from archaeology and cognitive science, but also on the particular semiotic resources that are novel for each stage: mimesis-based gestures, speech, drawings, and polysemiotic communication. The model suggests both continuities and relative discontinuities in the evolution of design, and more generally, in human bio-cultural evolution. (Less)
Please use this url to cite or link to this publication:
https://lup.lub.lu.se/record/a9ad1da7-1e0c-46c8-9bf6-bc35efa81269
- author
- Mendoza-Collazos, Juan
LU
; Zlatev, Jordan
LU
and Sonesson, Göran
LU
- organization
- publishing date
- 2021
- type
- Chapter in Book/Report/Conference proceeding
- publication status
- published
- subject
- keywords
- Bio-cultural evolution, Tool-making, Cognitive semiotics, Design theory, Design semiotics, Derived agency, Agency
- host publication
- Biosemiotics and Evolution : The Natural Foundations of Meaning and Symbolism - The Natural Foundations of Meaning and Symbolism
- series title
- Interdisciplinary Evolution Research
- editor
- Pagni, Elena and Theisen Simanke, Richard
- volume
- 6
- pages
- 13 pages
- publisher
- Springer Nature
- ISSN
- 2199-3076
- 2199-3068
- ISBN
- 978-3-030-85264-1
- 978-3-030-85267-2
- 978-3-030-85265-8
- DOI
- 10.1007/978-3-030-85265-8_8
- project
- The role of artefacts in relation to agency
- language
- English
- LU publication?
- yes
- id
- a9ad1da7-1e0c-46c8-9bf6-bc35efa81269
- date added to LUP
- 2022-03-15 16:36:50
- date last changed
- 2022-03-16 02:34:10
@inbook{a9ad1da7-1e0c-46c8-9bf6-bc35efa81269,
abstract = {{Within a broader definition of design, as the conception and planning of everything that is artificial, the place of tools is central. With the help of cognitive semiotics in general and Donald’s theory of the evolution of the human mind in particular, we propose a stage model for the evolution of design, consisting of four stages: Proto-design, Simple design, Complex design, and Advanced design, some of which are further divided into substages. We argue that nonhuman animals are capable of Proto-design, but it is only with the advent of stone tool technology in hominins that we witness Simple design. The stages are individuated based on evidence from archaeology and cognitive science, but also on the particular semiotic resources that are novel for each stage: mimesis-based gestures, speech, drawings, and polysemiotic communication. The model suggests both continuities and relative discontinuities in the evolution of design, and more generally, in human bio-cultural evolution.}},
author = {{Mendoza-Collazos, Juan and Zlatev, Jordan and Sonesson, Göran}},
booktitle = {{Biosemiotics and Evolution : The Natural Foundations of Meaning and Symbolism}},
editor = {{Pagni, Elena and Theisen Simanke, Richard}},
isbn = {{978-3-030-85264-1}},
issn = {{2199-3076}},
keywords = {{Bio-cultural evolution; Tool-making; Cognitive semiotics; Design theory; Design semiotics; Derived agency; Agency}},
language = {{eng}},
pages = {{161--173}},
publisher = {{Springer Nature}},
series = {{Interdisciplinary Evolution Research}},
title = {{The Origins and Evolution of Design : A Stage-Based Model}},
url = {{http://dx.doi.org/10.1007/978-3-030-85265-8_8}},
doi = {{10.1007/978-3-030-85265-8_8}},
volume = {{6}},
year = {{2021}},
}