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Live Reality Television : Care structures within the production and reception of talent shows

Hill, Annette LU ; Askanius, Tina LU and Kondo, Koko (2018) In Critical Studies in Television forthcoming(forthcoming). p.1-15
Abstract
This article focuses on production and reception practices for live reality television, using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance there was a play off between the value and meaning of the live events as a temporary experience captured by ratings and social media, and the more enduring collective-social experience of this reality series over time.
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to journal
publication status
epub
subject
keywords
reality television, live events, television production, television audiences
in
Critical Studies in Television
volume
forthcoming
issue
forthcoming
pages
15 pages
publisher
SAGE Publications Inc.
external identifiers
  • scopus:85048260238
ISSN
1749-6020
DOI
10.1177/1749602018774458
language
English
LU publication?
yes
id
ad99377f-f938-4254-bf55-64daef8a4354
date added to LUP
2018-06-17 11:54:37
date last changed
2018-06-24 05:23:17
@article{ad99377f-f938-4254-bf55-64daef8a4354,
  abstract     = {This article focuses on production and reception practices for live reality television, using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance there was a play off between the value and meaning of the live events as a temporary experience captured by ratings and social media, and the more enduring collective-social experience of this reality series over time. },
  articleno    = {online first},
  author       = {Hill, Annette and Askanius, Tina and Kondo, Koko },
  issn         = {1749-6020},
  keyword      = {reality television,live events,television production,television audiences},
  language     = {eng},
  month        = {06},
  number       = {forthcoming},
  pages        = {1--15},
  publisher    = {SAGE Publications Inc.},
  series       = {Critical Studies in Television},
  title        = {Live Reality Television : Care structures within the production and reception of talent shows},
  url          = {http://dx.doi.org/10.1177/1749602018774458},
  volume       = {forthcoming},
  year         = {2018},
}