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The Performative, Sensory, and Embodied Experiences of Heritage: Spatial Changes and Heritage Construction in Rural and Urban China

Svensson, Marina LU (2012) The Association of Critical heritage Studies Inaugural Conference
Abstract
This paper is inspired by recent literature that emphasise the
performative, sensory, and embodied experiences of heritage practices, as
well as by the recent “spatial” turn in China studies. Both rural and urban
China has undergone dramatic spatial changes since 1949 that at first
were brought about by ideological and political movements and later by
market economic reforms. These changes have destroyed many sites,
buildings and cultural practices of importance to the local community.
Ancestral halls on the countryside were for example after 1949 confiscated
to serve as government offices or cowshed, and this physical... (More)
This paper is inspired by recent literature that emphasise the
performative, sensory, and embodied experiences of heritage practices, as
well as by the recent “spatial” turn in China studies. Both rural and urban
China has undergone dramatic spatial changes since 1949 that at first
were brought about by ideological and political movements and later by
market economic reforms. These changes have destroyed many sites,
buildings and cultural practices of importance to the local community.
Ancestral halls on the countryside were for example after 1949 confiscated
to serve as government offices or cowshed, and this physical
appropriation also implied a denial of certain memory practices and place-makings such as ancestor worship and temple fairs. With the ideological
more open climate of the early 1980s, many old cultural practices have
been revived and traditional buildings re-claimed or re-built on the
countryside. In the cities a similar revival has not been possible and the
spatial changes brought about by the market reforms have more
dramatically challenged people’s links with the past. However, in recent
years different actors, including local governments, businesses,
intellectuals, and civil society actors have been engaged in different
attempts to re-create and commemorate the urban past. This also include
some more grassroots and alternative readings, commemorations, and
re-imagination of urban space in the form of documenting old buildings
and creating so-called heritage walks or city walks that aim to re-create
and link people with the past. This type of embodied experience of the
urban neighbourhood and ways of performing cultural memory through
walking is common in many historic preservation and regeneration
projects in the West but a new feature in China.
In the paper rituals and ceremonies, in the form of ancestor worship
during New Year celebrations and temple fairs, in one village will be
discussed with respect to their temporal, spatial, sensory and
performative memory practices, and contrasted with attempt to re-create
and re-imagine the past through heritage mapping and heritage trails in
one urban neighbourhood. The different contexts, processes, and
stakeholders in rural and urban China will be identified and discussed. In
focus will also be the challenges and negotiations that occur when sites
are elevated to heritage sites and cultural practices become inscribed as
intangible heritage (or official cultural festivals) promoted and
administered by local governments or tourism companies rather than by
the local community itself. (Less)
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to conference
publication status
published
subject
keywords
heritage, history, China, Asian studies
conference name
The Association of Critical heritage Studies Inaugural Conference
conference dates
2012-06-05 - 2012-06-08
project
Kulturarv och bevarandefrågor i Kina
language
English
LU publication?
yes
id
cbeb9551-e592-4add-b6cc-be5ff0b4efe9
alternative location
http://www.gu.se/digitalAssets/1370/1370596_s026-rowlands-cultural-heritage-discourses.pdf
date added to LUP
2017-03-05 19:26:32
date last changed
2018-11-21 21:30:25
@misc{cbeb9551-e592-4add-b6cc-be5ff0b4efe9,
  abstract     = {{This   paper   is   inspired   by   recent   literature   that   emphasise   the <br/>performative, sensory, and embodied experiences of heritage practices, as <br/>well as by the recent “spatial” turn in China studies. Both rural and urban <br/>China  has  undergone  dramatic  spatial  changes  since  1949  that  at  first <br/>were  brought  about  by  ideological  and  political  movements  and  later  by <br/>market  economic  reforms.  These  changes  have  destroyed  many  sites, <br/>buildings  and  cultural  practices  of  importance  to  the  local  community. <br/>Ancestral halls on the countryside were for example after 1949 confiscated <br/>to   serve   as   government   offices   or   cowshed,   and   this   physical <br/>appropriation also implied a denial of certain memory practices and place-makings  such  as  ancestor  worship  and  temple  fairs.  With  the  ideological <br/>more  open  climate  of  the  early  1980s,  many  old  cultural  practices  have <br/>been revived  and  traditional  buildings  re-claimed  or  re-built  on  the <br/>countryside.  In  the  cities  a  similar  revival  has  not  been  possible  and  the <br/>spatial   changes   brought   about   by   the   market   reforms   have   more <br/>dramatically  challenged  people’s  links  with  the  past.  However,  in  recent <br/>years    different    actors,    including    local    governments,    businesses, <br/>intellectuals,  and  civil  society  actors  have  been  engaged  in  different <br/>attempts to re-create and commemorate the urban past. This also include <br/>some  more  grassroots  and  alternative  readings,  commemorations,  and <br/>re-imagination  of  urban  space  in  the  form  of  documenting  old  buildings <br/>and  creating  so-called  heritage  walks  or  city  walks  that  aim  to  re-create <br/>and  link  people  with  the  past.  This  type  of  embodied  experience  of  the <br/>urban  neighbourhood  and  ways  of  performing  cultural  memory  through <br/>walking  is  common  in  many  historic  preservation  and  regeneration <br/>projects in the West but a new feature in China. <br/>In  the  paper  rituals  and  ceremonies,  in  the  form  of  ancestor  worship <br/>during New  Year  celebrations  and  temple  fairs,  in  one  village  will  be <br/>discussed   with   respect   to   their   temporal,   spatial,   sensory   and <br/>performative memory practices, and contrasted with attempt to re-create <br/>and  re-imagine  the  past  through  heritage  mapping  and  heritage  trails  in <br/>one   urban   neighbourhood.   The   different   contexts,   processes,   and <br/>stakeholders in rural and urban China will be identified and discussed. In <br/>focus  will  also  be  the  challenges  and  negotiations  that occur  when  sites <br/>are  elevated  to  heritage  sites  and  cultural  practices  become  inscribed  as <br/>intangible    heritage    (or    official    cultural    festivals)    promoted    and <br/>administered  by  local  governments  or  tourism  companies  rather  than  by <br/>the local community itself.}},
  author       = {{Svensson, Marina}},
  keywords     = {{heritage; history; China; Asian studies}},
  language     = {{eng}},
  title        = {{The Performative, Sensory, and Embodied Experiences of Heritage: Spatial  Changes  and  Heritage  Construction  in  Rural  and  Urban China}},
  url          = {{http://www.gu.se/digitalAssets/1370/1370596_s026-rowlands-cultural-heritage-discourses.pdf}},
  year         = {{2012}},
}