Section 4
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- 2011
-
Mark
“Men Don’t Cry but Women Do” Grieving Fathers and Escaping Mothers in Alice Sebold’s The Lovely Bones, Anne Tyler’s The Accidental Tourist and Ian McEwan’s The Child in Time
(
- Bach. Degree
- 2010
-
Mark
Parallel Worlds in British Fantasy Film
(
- Master (Two yrs)
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Mark
Wicked Gentlemen: A Comparison of Heathcliff in Emily Brontë’s Wuthering Heights and Huntingdon in Anne Brontë’s The Tenant of Wildfell Hall
(
- Master (One yr)
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Mark
Paradox and the Preface to Oscar Wilde’s The Picture of Dorian Gray
(
- Bach. Degree
-
Mark
Animal Farm and 1984 - Flawed Masterpieces or Cries of Despair?
(
- Bach. Degree
-
Mark
Australia in The Secret River by Kate Grenville: Salvation and Desolation
(
- Bach. Degree
-
Mark
The Priest's Quest for Salvation in Graham Greene's The Power and the Glory
(
- Bach. Degree
-
Mark
Relative misery in Nineteen Eighty-Four
(
- Bach. Degree
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Mark
Gendered Politics of the Un-Fanged: An Analysis of the Representation of Women in Bram Stoker's Dracula and Dacre Stoker and Ian Holt's Sequel, Dracula: The Un-Dead
(
- Bach. Degree
-
Mark
Portrayal of Beast and Man in Colin Dann’s The Animals of Farthing Wood
(
- Bach. Degree