Section 4
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- 2009
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Mark
Unreliable Narration in Vladimir Nabokov's Lolita
- Bach. Degree
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Mark
The Complexity of Class - A Study of Ideology and the Power of Literature in Ian McEwan's Narrative
- Bach. Degree
- 2008
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Mark
Eighteenth-Century Female Conduct in Jane Austen’s Pride and Prejudice – An Analysis of Elizabeth Bennet
- Bach. Degree
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Mark
"Es gab keine Schablone" Max von der Grün: "wie war das eigentlich?": Individuelle Erfahrungen oder Allgemeingültigkeit
- Bach. Degree
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Mark
A "Toy-Box History" or "Rivers of Knowledge" : A Study of Female Intellectuality in George Eliot's Middlemarch and Dorothy L. Sayers' Gaudy Night
- Bach. Degree
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Mark
"To Conquer and Subdue" - Okonkwo's Masculinity in Chinua Achebe's Things Fall Apart
- Bach. Degree
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Mark
"My name is Paul Auster. That is not my real name": The search for identity in Paul Auster's City of Glass
- Bach. Degree
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Mark
A Subtle Slide towards Commitment: Frederick Henry's Identity in A Farewell to Arms
- Bach. Degree
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Mark
Candor and Apocalypse in Allen Ginsberg's Howl
- Bach. Degree
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Mark
The Conquering Heart - Exploring allegorical short-cuts in Conrad's Heart of Darkness
- Bach. Degree