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Woolf's Night and Day and the Free-Union Novel

Lindskog, Annika LU (2023) In Twentieth-Century Literature 69(4). p.437-464
Abstract
This article places Woolf’s Night and Day (1919) in the context of the Edwardian free-union novel—works that represent and debate monogamous relationships without legal recognition. In seeking alternatives to marriage, this genre explored what modernity might mean for young, middle-class women. Typically, the narratives’ protagonists ultimately abandon the idea of the free union, the novels often ending after all with a conventional engagement. Night and Day follows this pattern, but only to a point. It examines the free union as an opportunity for a more liberated life for young women and still ends with an engagement, but it also remains committed to seeking a compromise between old and new—reimagining marriage on more equal terms. In... (More)
This article places Woolf’s Night and Day (1919) in the context of the Edwardian free-union novel—works that represent and debate monogamous relationships without legal recognition. In seeking alternatives to marriage, this genre explored what modernity might mean for young, middle-class women. Typically, the narratives’ protagonists ultimately abandon the idea of the free union, the novels often ending after all with a conventional engagement. Night and Day follows this pattern, but only to a point. It examines the free union as an opportunity for a more liberated life for young women and still ends with an engagement, but it also remains committed to seeking a compromise between old and new—reimagining marriage on more equal terms. In this, Night and Day can be seen as a transitional novel, in relation both to Woolf’s own writing and to the shift from Edwardian fiction toward modernism. (Less)
Please use this url to cite or link to this publication:
author
organization
publishing date
type
Contribution to journal
publication status
published
subject
keywords
edwardian, marriage plot, modernist, virginia woolf
in
Twentieth-Century Literature
volume
69
issue
4
pages
27 pages
publisher
Duke University Press
ISSN
0041-462X
DOI
10.1215/0041462X-10986836
language
English
LU publication?
yes
id
0993ecb6-5898-4251-8ec2-e64ad5748e03
date added to LUP
2024-02-01 13:58:26
date last changed
2024-02-02 10:05:46
@article{0993ecb6-5898-4251-8ec2-e64ad5748e03,
  abstract     = {{This article places Woolf’s Night and Day (1919) in the context of the Edwardian free-union novel—works that represent and debate monogamous relationships without legal recognition. In seeking alternatives to marriage, this genre explored what modernity might mean for young, middle-class women. Typically, the narratives’ protagonists ultimately abandon the idea of the free union, the novels often ending after all with a conventional engagement. Night and Day follows this pattern, but only to a point. It examines the free union as an opportunity for a more liberated life for young women and still ends with an engagement, but it also remains committed to seeking a compromise between old and new—reimagining marriage on more equal terms. In this, Night and Day can be seen as a transitional novel, in relation both to Woolf’s own writing and to the shift from Edwardian fiction toward modernism.}},
  author       = {{Lindskog, Annika}},
  issn         = {{0041-462X}},
  keywords     = {{edwardian; marriage plot; modernist; virginia woolf}},
  language     = {{eng}},
  number       = {{4}},
  pages        = {{437--464}},
  publisher    = {{Duke University Press}},
  series       = {{Twentieth-Century Literature}},
  title        = {{Woolf's Night and Day and the Free-Union Novel}},
  url          = {{http://dx.doi.org/10.1215/0041462X-10986836}},
  doi          = {{10.1215/0041462X-10986836}},
  volume       = {{69}},
  year         = {{2023}},
}