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Choose Your Own Adventure Music : On the Emergence of Voice in Musical Collaboration

Gorton, David and Östersjö, Stefan LU (2016) In Contemporary Music Review 35(6). p.579-598
Abstract

The practices of collaborating composers and performers have been receiving increasing attention within academic discourse. Such collaborations are often presented from two complementary perspectives: pre-compositional joint invention and post-compositional negotiations in the realisation of a score and its notation. This article attempts to bridge the gap between the two perspectives through a discussion on the emergence of ‘voice’ that pervades the artistic practice, and binds the pre- and post-compositional phases together. Two compositions by David Gorton, written in collaboration with guitar player Stefan Östersjö, will be examined: Forlorn Hope for 11-string alto guitar and optional live electronics and Austerity Measures I for... (More)

The practices of collaborating composers and performers have been receiving increasing attention within academic discourse. Such collaborations are often presented from two complementary perspectives: pre-compositional joint invention and post-compositional negotiations in the realisation of a score and its notation. This article attempts to bridge the gap between the two perspectives through a discussion on the emergence of ‘voice’ that pervades the artistic practice, and binds the pre- and post-compositional phases together. Two compositions by David Gorton, written in collaboration with guitar player Stefan Östersjö, will be examined: Forlorn Hope for 11-string alto guitar and optional live electronics and Austerity Measures I for 10-string guitar. Both pieces are the result of an extended pre-composition experimental phase, and both pieces attempt to recreate something of those experiments in the contexts of their performance, establishing the conditions for the emergence of a ‘discursive voice’ of both composer and performer.

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Please use this url to cite or link to this publication:
author
and
organization
publishing date
type
Contribution to journal
publication status
published
keywords
Affordance, Collaboration, Composer, Guitar, Performer, Resistance, Voice
in
Contemporary Music Review
volume
35
issue
6
pages
20 pages
publisher
Routledge
external identifiers
  • scopus:85011796809
ISSN
0749-4467
DOI
10.1080/07494467.2016.1282596
language
English
LU publication?
yes
id
b9a06ae7-873b-4c15-b61e-4eae1ebd8583
date added to LUP
2018-04-03 22:03:46
date last changed
2022-03-25 01:05:51
@article{b9a06ae7-873b-4c15-b61e-4eae1ebd8583,
  abstract     = {{<p>The practices of collaborating composers and performers have been receiving increasing attention within academic discourse. Such collaborations are often presented from two complementary perspectives: pre-compositional joint invention and post-compositional negotiations in the realisation of a score and its notation. This article attempts to bridge the gap between the two perspectives through a discussion on the emergence of ‘voice’ that pervades the artistic practice, and binds the pre- and post-compositional phases together. Two compositions by David Gorton, written in collaboration with guitar player Stefan Östersjö, will be examined: Forlorn Hope for 11-string alto guitar and optional live electronics and Austerity Measures I for 10-string guitar. Both pieces are the result of an extended pre-composition experimental phase, and both pieces attempt to recreate something of those experiments in the contexts of their performance, establishing the conditions for the emergence of a ‘discursive voice’ of both composer and performer.</p>}},
  author       = {{Gorton, David and Östersjö, Stefan}},
  issn         = {{0749-4467}},
  keywords     = {{Affordance; Collaboration; Composer; Guitar; Performer; Resistance; Voice}},
  language     = {{eng}},
  month        = {{11}},
  number       = {{6}},
  pages        = {{579--598}},
  publisher    = {{Routledge}},
  series       = {{Contemporary Music Review}},
  title        = {{Choose Your Own Adventure Music : On the Emergence of Voice in Musical Collaboration}},
  url          = {{http://dx.doi.org/10.1080/07494467.2016.1282596}},
  doi          = {{10.1080/07494467.2016.1282596}},
  volume       = {{35}},
  year         = {{2016}},
}