Film Studies
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- 2022
-
Mark
Immigrant Film Co-Operatives in Sweden - The Most Typical Avant-Garde
(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
Nostalgi er ikke redningen : Kanon, filmkritikk og ufeilbarlige helteskikkelser
2022) In Montages(
- Contribution to specialist publication or newspaper › Specialist publication article
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Mark
När Sverige förlorade Finland
(
- Contribution to specialist publication or newspaper › Review (Book/Film/Exhibition/etc.)
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Mark
Creative and crime scene photography : staged patricide and matricide as screen memories in Aida Chehrehgosha’s To Mom, Dad and My Two Brothers
(
- Contribution to journal › Article
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Mark
The Forbidden Door : The Selected Poetry of Lasse Söderberg, translated by Lars Gustaf Andersson and Carolyn Forché
2022)(
- Book/Report › Book
-
Mark
Från skogsbryn till masstart : Kommodifieringen av längdskidåkningens tv-sändningar från 1980-talet till 2015
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- Contribution to journal › Article
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Mark
Jacobi’s Burden : “Jewish” Figurations in Fanny och Alexander
2022) p.103-120(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
Resisting Cynicism, Assuming Ambiguity
2022) The Nordic Society for Aesthetics Conference(
- Contribution to conference › Other
- 2021
-
Mark
Introduktion
(
- Chapter in Book/Report/Conference proceeding › Preface to conference proceeding
-
Mark
Trade stories, film policy and radical uncertainty : Remarks on Scandinavian cinema and COVID-19 inspired by ‘Digging the digital?’
(
- Contribution to journal › Article