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- 2021
-
Mark
Bergman and the business : Notes on the director’s ‘worth in the market’
2021) p.42-55(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2020
-
Mark
After The Bridge? : Adapting Noric Noir Success into a Viable Audiovisual Industry in Southern Sweden
(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2019
-
Mark
The Regional Film Fund as Co-production Crusader - The Case of Film i Väst
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Vem vill att EU inkvoteras på Netflix?
2019) In Europakommentaren(
- Other contribution › Web publication
- 2018
-
Mark
Överproduktion av europeisk film?
2018)(
- Other contribution › Web publication
-
Mark
“Co-opted” for national cultural prestige, economic growth, place promotion and structural economic change? : Notes on the increasing production of European films
(
- Contribution to conference › Paper, not in proceeding
-
Mark
“One need never doubt one’s worth in the market” : Notes on the Production Contexts of Bergman's Film Career
(
- Contribution to conference › Paper, not in proceeding
-
Mark
Moral crusades in the East : Swedish filmmakers ‘going abroad to do good’
(
- Contribution to journal › Article
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013
2018) p.55-68(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2017
-
Mark
The Entangled Media Geographies of the Nordics : Contemporary Scandinavian Production Practices through the Prism of Audio-visual Nordic Noir
2017) Tracing Entanglements in Media History(
- Contribution to conference › Paper, not in proceeding
-
Mark
Contemporary Scandinavian Cinema between Art and Commerce
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
A Publicly Owned Media Company Co-Producing Audiovisual Content? : The case of Film Väst - Invited Keynote Talk
(
- Contribution to conference › Paper, not in proceeding
-
Mark
Present European and Scandinavian Co-production Practices Through the Prism of The Girl with the Dragon Tattoo (2009).
(
- Contribution to conference › Paper, not in proceeding
- 2016
-
Mark
Cinema in the Welfare State : Notes on Public Support, Regional Film Funds, and Film Policy in Swedish Film
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
A Clash with the System : Experiences of teaching film and media production in the south of Sweden
2016) NECS: European Network for Cinema and Media Studies, 2016(
- Contribution to conference › Paper, not in proceeding
-
Mark
Some Notes on Present European and Scandinavian Co-production Practices Through the Prism of ‘The Girl with the Dragon Tattoo’ (2009)
2016) European Co-Production Symposium: a multi-disciplinary conference of scholars, practitioners and policy professionals 23-24 November 2016, University of Copenhagen, Centre for Modern European Studies (cemes.ku.dk) p.1-9(
- Contribution to conference › Paper, not in proceeding
-
Mark
A Note on the Changing Geography of European Film and Television Production since 1989
2016) SCMS ATLANTA 2016(
- Contribution to conference › Paper, not in proceeding
-
Mark
Review of Andrew Higson, Eva Norup Redvall and Ib Bondebjerg (Eds.) European Cinema and Television: Cultural Policy and Everyday Life London: Palgrave Macmillan, 2015, 256 p.
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish Film Policy 1963-2013
(
- Contribution to journal › Article
- 2015
-
Mark
Petr Szczepanik & Patrick Vonderau: Behind the Screen: Inside European Production Cultures. New York: Palgrave Macmillan, 2013
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
"För två ostburgare och en Coca-Cola” : Anteckningar om den europeiska film- och TV-produktionens omflyttningar efter 1989
(
- Contribution to journal › Article
-
Mark
The Trouble with Stars : Vernacular versus Global Stardom in Two Forms of European Popular Culture
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
The Bridge - Season 3 : A Swedish Perspective
2015)(
- Other contribution › Web publication
-
Mark
A Relative Success? : Notes on the circulation and wider reception of Scandinavian Crime
2015) CRIME PAYS, CRIME DAYS, Aalborgs universitet(
- Contribution to conference › Paper, not in proceeding
-
Mark
A Scandinavian International Success? A note on the circulation and wider reception of Scandinavian Crime/Nordic Noir (and Love is All You Need).
(
- Contribution to conference › Paper, not in proceeding
-
Mark
“For Two Cheeseburgers and a Coke” : Notes on the Changing Geography of European Film and Television Production since 1989
(
- Contribution to conference › Paper, not in proceeding
-
Mark
A Relative Success? Notes on the circulation and wider reception of Scandinavian Crime
(
- Contribution to conference › Paper, not in proceeding
-
Mark
Between Art, Economics, Commerce, and Nationalism : Notes on the interaction between different perspectives in Swedish Film Policy 1963-2013
2015) NECS Łodz, Archives of/for the Future, June 18-20, 2015. Panel: Film Policy Research and Archives: Methods, Challenges and Case Studies p.1-8(
- Contribution to conference › Paper, not in proceeding
- 2014
-
Mark
Notes on Nordic Noir as European Popular Culture
(
- Contribution to journal › Article
-
Mark
Storleken har betydelse: Om det svenska produktionslandskapet i Milenniums tidevarv
2014) p.93-110(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Murder in the Swedish South : Henning Mankell, Nordic Noir, and TV & Film Production
2014) Invited talk/lecture on Henning Mankell(
- Contribution to conference › Paper, not in proceeding
-
Mark
Nordic Noir Adaptations as Reflections of Denationalization : The Effects of Public Film Support on a National Cinema (Paper presentation)
2014) The Yale Conference on Baltic & Scandinavian Studies(
- Contribution to conference › Paper, not in proceeding
-
Mark
On the Comparative Merits of Nordic Noir as European Popular Culture
2014) Workshop on Nordic Noir(
- Contribution to conference › Paper, not in proceeding
-
Mark
Film Funding Developments in the EU: Effects of public film support on a small national cinema (invited paper presentation)
2014) Researching and Teaching the EU: Best Practices and Current Trends in EU Scholarship” A Working Conference for Regional College Faculty(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Trouble with Stars : Vernacular vs. Global Stardom in Two Forms of European Popular Culture
2014) Invited talk/lecture(
- Contribution to conference › Paper, not in proceeding
-
Mark
Film Studies anno 2013 : A Bird’s Eye View
(
- Contribution to journal › Article
- 2013
-
Mark
Screen industries in East-Central Europe: Cultural policies and political culture (22-25 November 2012, Masaryk University, Brno, Czech Republic)
(
- Contribution to journal › Article
-
Mark
«An Unintended Effect of the Introduction of the Public Support Systems» – Film policy, film support and the contemporary Scandinavian production landscape
(
- Contribution to journal › Article
-
Mark
Paradoxical Production Cultures A tale of two films based on Stieg Larsson’s The Girl with the Dragon Tattoo
2013) SASS Conference, May 2-4, 2013,(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Genius of the System? On the effects of public support, regional film funds and film policy on Swedish cinema
(
- Contribution to conference › Paper, not in proceeding
-
Mark
An Authoring Discourse of Sorts: Effects of public film support on a national cinema (invited paper presentation)
2013) The Third Annual Screen Industries in East-Central Europe Conference (SIECE) : Industrial Authorship(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Genius of the System? On the effects of public support, regional film funds and film policy on Swedish cinema (paper presentation)
2013) ECREA European Film Cultures: An International Conference, 2013(
- Contribution to conference › Paper, not in proceeding
- 2012
-
Mark
A First of its Kind Production Studies Meeting at Brno : Screen Industries in East-Central Europe, Masaryk University, Brno, Czech Republic, 11–13 November 2011
(
- Contribution to journal › Article
-
Mark
Review: Peter Decherney, Hollywood and the Cultural Elite: How the Movies Became American (New York: Columbia University Press, 2005)
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
Film i Väst/Trollywood
2012)(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Historical Dictionary of Scandinavian Cinema
2012) In Historical Dictionaries of Literature and the Arts(
- Book/Report › Book
-
Mark
Making Films in Scandinavia: On work and production infrastructure in the contemporary regional sector
2012) p.57-74(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Som att bestiga Mount Everest. Om filmutbildning och filmproduktionslandskapet
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Over grensen. Regionene som internasjonale aktører - invited speaker
2012) Norsk filmseminar "Regional filmproduksjon - innsyn og utsyn",(
- Contribution to conference › Paper, not in proceeding
-
Mark
Making Blockbusters in Sweden: The Scandinavian vs. the Hollywood Approach
2012) NECS The Lisbon Conference “Time Networks: Screen Media and Memory” ,(
- Contribution to conference › Paper, not in proceeding
-
Mark
Too Many Doing Too Little: On Contemporary European Film Production Cultures
2012) Annual Conference Society for Cinema and Media Studies , 2012(
- Contribution to conference › Paper, not in proceeding
- 2011
-
Mark
Review: Shohini Chauduri, Contemporary World Cinema – Europe, Middle East, East Asia, South Asia (Edinburgh: Edinburgh University Press, 2006)
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
Looking for Robin 2.0
(
- Contribution to journal › Article
-
Mark
Invited Closing Remarks Speaker
2011) Screen Industries in East-Central Europe Conference(
- Contribution to conference › Paper, not in proceeding
-
Mark
Some Perils in the Making of a Film Town: A Brief European Case Study
2011) Sonic Futures: Soundscapes and the Languages of Screen Media, NECS Conference 2011(
- Contribution to conference › Paper, not in proceeding
-
Mark
“Crime fiction at the service of society – on some perils in the making of a Scandinavian film town”
2011) Annual Meeting of The Society for the Advancement of Scandinavian Study(
- Contribution to conference › Paper, not in proceeding
- 2010
-
Mark
Regional aesthetics : Locating Swedish media
- Book/Report › Anthology (editor)
-
Mark
A Film-friendly Town? Assessing a Decade at a Small Swedish Production Centre
(
- Contribution to journal › Article
-
Mark
Making Movies in Europe: An Opening Note
(
- Contribution to journal › Article
-
Mark
Wallander, vin och varmkorv
2010) p.21-38(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Chapter 42 The Regional Turn
2010) p.334-345(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Murder, Mystery and Megabucks? : Films and Filmmaking as Regional and Local Place Promotion in Southern Sweden
2010) p.263-290(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Mapping the Region : An Introductory Note
2010) p.9-9(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
A Small Region in a Global World. Patterns in Scandinavian Film and TV Culture
2010)(
- Working paper/Preprint › Working paper
-
Mark
Storstarken med folkviseögonen går på bio: Några anteckningar om Vilhelm Moberg och filmen
2010) p.97-108(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
”Historien om ett brott – Kriminalfilmsserier som regionalt och panskandinaviskt mediekoncept”,
2010) p.129-144(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
New Creative Cities in Scandinavia
2010) Urban Mediations, NECS 4th Annual Conference(
- Contribution to conference › Paper, not in proceeding
-
Mark
Response on Methods in Production Studies
2010) European Production Studies Work Group - First International Workshop(
- Contribution to conference › Paper, not in proceeding
-
Mark
New Creative Cities in Scandinavia? Or, is the European Creative Class too Underprivileged to Contribute to Regional Regeneration?
2010) 8th European Social Science History Conference, 2010(
- Contribution to conference › Paper, not in proceeding
-
Mark
Researching International Film Industries
2010) Society for Cinema and Media Studies, 2010(
- Contribution to conference › Paper, not in proceeding
- 2009
-
Mark
Skandinavische Lust und europäisches Kino. Eine schwedische Filmografie
(
- Contribution to journal › Article
-
Mark
National Boundaries? Notes on the Pornographic Film in Sweden in the 1970s
2009) p.271-279(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Possibilities of stardom in European cinema culture
2009) p.256-266(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Ulusal Sınırlar? 1970’lerin İsveç Porno Filmleri Üzerine Notlar
2009) p.263-271(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Selling Crime: On the Contemporary Crime Film Serial in Scandinavia
2009) European Network for Film and Media Studies (NECS), 2009(
- Contribution to conference › Paper, not in proceeding
-
Mark
National Boundaries? Pornographic Films in Sweden in the 1970s
2009) Media, Culture and Identity in Europe Conference, Bahcesehir University(
- Contribution to conference › Paper, not in proceeding
-
Mark
Regional Film Production in the North: A Panel Discussion
2009) European Network for Film and Media Studies (NECS), 2009(
- Contribution to conference › Paper, not in proceeding
- 2008
-
Mark
A New Deal in European film? Notes on the Swedish Regional Production Turn
(
- Contribution to journal › Article
-
Mark
Editorial issue 36
(
- Contribution to journal › Article
-
Mark
”Detta dåliga samvete”: om kortfilmen, regionerna och filmfestivalerna
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Train Kept a Rollin' - Antonioni, Blow Up och den briitiska bluesvågen
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Kan forskning og filmproduktion samarbejde - hvorfor, hvordan?
2008) Skandinavisk krimi industri(
- Contribution to conference › Paper, not in proceeding
-
Mark
Mastersprogram film- och medieproduktion
(
- Contribution to specialist publication or newspaper › Newspaper article
-
Mark
The Chronicle – on Style, Design and Architecture in Contemporary TV-drama
2008) Society for Film and Media Studies(
- Contribution to conference › Paper, not in proceeding
-
Mark
Notes on Some Difficulties of a European Cinema Makeover
2008) NECS 2008 - The Budapest Conference(
- Contribution to conference › Paper, not in proceeding
- 2007
-
Mark
Smilende gyldenbrune øjne - de politisk korrekte invandrarportrætters dominans i svensk film
(
- Contribution to journal › Article
-
Mark
Vår tids stora berättelser: om tv-serier, deras stil och författare
2007) p.199-210(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Hans filmer är eviga
(
- Contribution to specialist publication or newspaper › Newspaper article
-
Mark
Livet går vidare i laglöst land
(
- Contribution to specialist publication or newspaper › Newspaper article
-
Mark
Ett filmfönster på väg att försvinna
(
- Contribution to specialist publication or newspaper › Newspaper article
-
Mark
Självutlämnande av nykter Clapton
(
- Contribution to specialist publication or newspaper › Newspaper article
-
Mark
Sagokungen
(
- Contribution to specialist publication or newspaper › Newspaper article
- 2006
-
Mark
”Sveriges mest kända korvkiosk”: Om regionaliseringen av svensk film
2006) p.19-50(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2005
-
Mark
“Natalie Wood: a life” (bokrec.)
(
- Contribution to specialist publication or newspaper › Specialist publication article
-
Mark
Who the Hell Is in It?
(
- Contribution to specialist publication or newspaper › Specialist publication article
-
Mark
“Stop Whining and Get on with the Basic Business of Being British”: Notes on Robin Wood, Canada and the Concept of National Film Culture
2005) In Canadian Journal of Film Studies - Revue Canadienne d'Études Cinématographiques 14(2). p.84-93(
- Contribution to specialist publication or newspaper › Specialist publication article
- 2004
-
Mark
Review of Ginette Vincendeau's Jean-Pierre Melville: An American in Paris (London:BFI, 2003)
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
Om Lilja 4-ever - en svensk film
2004) p.323-334(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Italienska klichéer lukrativa på film
2004) In Svenska Dagbladet(
- Contribution to specialist publication or newspaper › Newspaper article
- 2003
-
Mark
Attacken mot litteraturen
2003) In Svenska Dagbladet(
- Contribution to specialist publication or newspaper › Newspaper article