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- 2021
-
Mark
Bergman and the business : Notes on the director’s ‘worth in the market’
2021) p.42-55(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2020
-
Mark
After The Bridge? : Adapting Noric Noir Success into a Viable Audiovisual Industry in Southern Sweden
(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2019
-
Mark
The Regional Film Fund as Co-production Crusader - The Case of Film i Väst
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Vem vill att EU inkvoteras på Netflix?
2019) In Europakommentaren(
- Other contribution › Web publication
- 2018
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013
2018) p.55-68(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Moral crusades in the East : Swedish filmmakers ‘going abroad to do good’
(
- Contribution to journal › Article
-
Mark
Överproduktion av europeisk film?
2018)(
- Other contribution › Web publication
-
Mark
“Co-opted” for national cultural prestige, economic growth, place promotion and structural economic change? : Notes on the increasing production of European films
(
- Contribution to conference › Paper, not in proceeding
-
Mark
“One need never doubt one’s worth in the market” : Notes on the Production Contexts of Bergman's Film Career
(
- Contribution to conference › Paper, not in proceeding
- 2017
-
Mark
The Entangled Media Geographies of the Nordics : Contemporary Scandinavian Production Practices through the Prism of Audio-visual Nordic Noir
2017) Tracing Entanglements in Media History(
- Contribution to conference › Paper, not in proceeding
-
Mark
Contemporary Scandinavian Cinema between Art and Commerce
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
A Publicly Owned Media Company Co-Producing Audiovisual Content? : The case of Film Väst - Invited Keynote Talk
(
- Contribution to conference › Paper, not in proceeding
-
Mark
Present European and Scandinavian Co-production Practices Through the Prism of The Girl with the Dragon Tattoo (2009).
(
- Contribution to conference › Paper, not in proceeding
- 2016
-
Mark
Cinema in the Welfare State : Notes on Public Support, Regional Film Funds, and Film Policy in Swedish Film
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Some Notes on Present European and Scandinavian Co-production Practices Through the Prism of ‘The Girl with the Dragon Tattoo’ (2009)
2016) European Co-Production Symposium: a multi-disciplinary conference of scholars, practitioners and policy professionals 23-24 November 2016, University of Copenhagen, Centre for Modern European Studies (cemes.ku.dk) p.1-9(
- Contribution to conference › Paper, not in proceeding
-
Mark
A Note on the Changing Geography of European Film and Television Production since 1989
2016) SCMS ATLANTA 2016(
- Contribution to conference › Paper, not in proceeding
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish Film Policy 1963-2013
(
- Contribution to journal › Article
-
Mark
A Clash with the System : Experiences of teaching film and media production in the south of Sweden
2016) NECS: European Network for Cinema and Media Studies, 2016(
- Contribution to conference › Paper, not in proceeding
-
Mark
Review of Andrew Higson, Eva Norup Redvall and Ib Bondebjerg (Eds.) European Cinema and Television: Cultural Policy and Everyday Life London: Palgrave Macmillan, 2015, 256 p.
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
- 2015
-
Mark
Petr Szczepanik & Patrick Vonderau: Behind the Screen: Inside European Production Cultures. New York: Palgrave Macmillan, 2013
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
"För två ostburgare och en Coca-Cola” : Anteckningar om den europeiska film- och TV-produktionens omflyttningar efter 1989
(
- Contribution to journal › Article
-
Mark
A Scandinavian International Success? A note on the circulation and wider reception of Scandinavian Crime/Nordic Noir (and Love is All You Need).
(
- Contribution to conference › Paper, not in proceeding
-
Mark
Between Art, Economics, Commerce, and Nationalism : Notes on the interaction between different perspectives in Swedish Film Policy 1963-2013
2015) NECS Łodz, Archives of/for the Future, June 18-20, 2015. Panel: Film Policy Research and Archives: Methods, Challenges and Case Studies p.1-8(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Trouble with Stars : Vernacular versus Global Stardom in Two Forms of European Popular Culture
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
A Relative Success? Notes on the circulation and wider reception of Scandinavian Crime
(
- Contribution to conference › Paper, not in proceeding
-
Mark
“For Two Cheeseburgers and a Coke” : Notes on the Changing Geography of European Film and Television Production since 1989
(
- Contribution to conference › Paper, not in proceeding
-
Mark
A Relative Success? : Notes on the circulation and wider reception of Scandinavian Crime
2015) CRIME PAYS, CRIME DAYS, Aalborgs universitet(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Bridge - Season 3 : A Swedish Perspective
2015)(
- Other contribution › Web publication
- 2014
-
Mark
Film Studies anno 2013 : A Bird’s Eye View
(
- Contribution to journal › Article
-
Mark
Storleken har betydelse: Om det svenska produktionslandskapet i Milenniums tidevarv
2014) p.93-110(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Murder in the Swedish South : Henning Mankell, Nordic Noir, and TV & Film Production
2014) Invited talk/lecture on Henning Mankell(
- Contribution to conference › Paper, not in proceeding
-
Mark
Notes on Nordic Noir as European Popular Culture
(
- Contribution to journal › Article
-
Mark
Nordic Noir Adaptations as Reflections of Denationalization : The Effects of Public Film Support on a National Cinema (Paper presentation)
2014) The Yale Conference on Baltic & Scandinavian Studies(
- Contribution to conference › Paper, not in proceeding
-
Mark
Film Funding Developments in the EU: Effects of public film support on a small national cinema (invited paper presentation)
2014) Researching and Teaching the EU: Best Practices and Current Trends in EU Scholarship” A Working Conference for Regional College Faculty(
- Contribution to conference › Paper, not in proceeding
-
Mark
On the Comparative Merits of Nordic Noir as European Popular Culture
2014) Workshop on Nordic Noir(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Trouble with Stars : Vernacular vs. Global Stardom in Two Forms of European Popular Culture
2014) Invited talk/lecture(
- Contribution to conference › Paper, not in proceeding
- 2013
-
Mark
Screen industries in East-Central Europe: Cultural policies and political culture (22-25 November 2012, Masaryk University, Brno, Czech Republic)
(
- Contribution to journal › Article
-
Mark
«An Unintended Effect of the Introduction of the Public Support Systems» – Film policy, film support and the contemporary Scandinavian production landscape
(
- Contribution to journal › Article
-
Mark
An Authoring Discourse of Sorts: Effects of public film support on a national cinema (invited paper presentation)
2013) The Third Annual Screen Industries in East-Central Europe Conference (SIECE) : Industrial Authorship(
- Contribution to conference › Paper, not in proceeding
-
Mark
Paradoxical Production Cultures A tale of two films based on Stieg Larsson’s The Girl with the Dragon Tattoo
2013) SASS Conference, May 2-4, 2013,(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Genius of the System? On the effects of public support, regional film funds and film policy on Swedish cinema
(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Genius of the System? On the effects of public support, regional film funds and film policy on Swedish cinema (paper presentation)
2013) ECREA European Film Cultures: An International Conference, 2013(
- Contribution to conference › Paper, not in proceeding
- 2012
-
Mark
A First of its Kind Production Studies Meeting at Brno : Screen Industries in East-Central Europe, Masaryk University, Brno, Czech Republic, 11–13 November 2011
(
- Contribution to journal › Article
-
Mark
Review: Peter Decherney, Hollywood and the Cultural Elite: How the Movies Became American (New York: Columbia University Press, 2005)
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
Film i Väst/Trollywood
2012)(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Historical Dictionary of Scandinavian Cinema
2012) In Historical Dictionaries of Literature and the Arts(
- Book/Report › Book
-
Mark
Over grensen. Regionene som internasjonale aktører - invited speaker
2012) Norsk filmseminar "Regional filmproduksjon - innsyn og utsyn",(
- Contribution to conference › Paper, not in proceeding
-
Mark
Making Blockbusters in Sweden: The Scandinavian vs. the Hollywood Approach
2012) NECS The Lisbon Conference “Time Networks: Screen Media and Memory” ,(
- Contribution to conference › Paper, not in proceeding
-
Mark
Making Films in Scandinavia: On work and production infrastructure in the contemporary regional sector
2012) p.57-74(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Too Many Doing Too Little: On Contemporary European Film Production Cultures
2012) Annual Conference Society for Cinema and Media Studies , 2012(
- Contribution to conference › Paper, not in proceeding