Atene Mendelyte (Former)
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- 2022
-
Mark
Creative and crime scene photography : staged patricide and matricide as screen memories in Aida Chehrehgosha’s To Mom, Dad and My Two Brothers
(
- Contribution to journal › Article
- 2018
-
Mark
The Mash-up of Aesthetics, Theory and Politics in Laibach's Meta-sound
2018)(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2017
-
Mark
Performing the Chaosmos of the Self in Samuel Beckettʼs That Time
2017) Critical Theory in the Humanities: Resonances of the Work of Judith Butler(
- Contribution to conference › Paper, not in proceeding
-
Mark
Structuralist Horror in Hollis Framptonʼs (nostalgia)
2017) SCMS Chicago Conference 2017(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Filmic Century/Centuries of the Mind : Tracing the Beginnings of the Subjective Cinema
2017) p.78-90(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Post-Deleuzian Investigations of U.S. Avant-Garde Film, 1943–81
2017)(
- Thesis › Doctoral thesis (monograph)
-
Mark
The Still, Sad Music of Humanity in Doom Metal's Romanticizing Machine
(
- Contribution to journal › Article
- 2016
-
Mark
On Suffocation in the Silence of Things
(
- Contribution to journal › Article
-
Mark
Mapping Film-World Relations to Reality : A New Conceptual Cartography
2016) The Real of Reality(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Intermedial and the Transmedial across Samuel Beckett's Artistic Practices
(
- Contribution to journal › Article
-
Mark
Nightmares to Live By: Thomas Ligotti's Philosophical Horror
2016) ACLA Conference 2016(
- Contribution to conference › Paper, not in proceeding
- 2015
-
Mark
The Image of a Mind-Skull: Samuel Beckett’s "...but the clouds..." and Television-Philosophy
(
- Contribution to journal › Article
-
Mark
The Art of Failure in Films So Bad They're Good
2015) SCMS 2015 Conference(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Intermedial and the Transmedial across Samuel Beckett’s Artistic Practices
2015) The Real and the Intermedial(
- Contribution to conference › Paper, not in proceeding
- 2014
-
Mark
The Walking Dead and the Truly Monstrous... On Television
2014) p.89-102(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
The Filmic Century/Centuries of the Mind – Tracing the Beginnings of the Subjective Cinema
2014) International Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film(
- Contribution to conference › Paper, not in proceeding
-
Mark
Samuel Beckett’s Borderless Cinematic Avant-Garde Practices
2014) 9th NECS Conference on Creative Energies, Creative Industries(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Romanticizing Machine of Doom Metal
2014) 7th International Deleuze Studies Conference(
- Contribution to conference › Paper, not in proceeding
-
Mark
The Curious Case of the (Non)Existence of Danish Minor Cinema
2014) Film-Philosophy Conference 2014: A World of Cinemas(
- Contribution to conference › Paper, not in proceeding
- 2013
-
Mark
Laibach's Politics without a Cause or the Unsublated Contradiction
(
- Contribution to journal › Article
-
Mark
In Search of (Proto-)Mindscapes and Neuroscapes in Avant-garde Cinema
2013) Doctoral Studies in Film and Media in the Age of Interdisciplinary Crossroads(
- Contribution to conference › Paper, not in proceeding
- 2012
-
Mark
Death (in the Eye) of the Beholder : An Encounter with Victorian Post-mortem Photography
(
- Contribution to journal › Article
-
Mark
Mind Aestheticised : Samuel Beckett's Television Plays and the Deleuzian Image
2012)(
- Thesis › Master's thesis
- 2011
-
Mark
Atkaklusis ποίησις : Aristotelio sugrįžimas į moderniosios dramos teoriją ir praktiką
(
- Contribution to journal › Article
-
Mark
Filosofinio teksto (ne)svarba ir filotopija
(
- Contribution to journal › Scientific review