Olof Hedling (Former)
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- 2021
-
Mark
Bergman and the business : Notes on the director’s ‘worth in the market’
2021) p.42-55(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2020
-
Mark
After The Bridge? : Adapting Noric Noir Success into a Viable Audiovisual Industry in Southern Sweden
(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2019
-
Mark
Vem vill att EU inkvoteras på Netflix?
2019) In Europakommentaren(
- Other contribution › Web publication
-
Mark
The Regional Film Fund as Co-production Crusader - The Case of Film i Väst
(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2018
-
Mark
“Co-opted” for national cultural prestige, economic growth, place promotion and structural economic change? : Notes on the increasing production of European films
(
- Contribution to conference › Paper, not in proceeding
-
Mark
“One need never doubt one’s worth in the market” : Notes on the Production Contexts of Bergman's Film Career
(
- Contribution to conference › Paper, not in proceeding
-
Mark
Överproduktion av europeisk film?
2018)(
- Other contribution › Web publication
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish film policy 1963–2013
2018) p.55-68(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Moral crusades in the East : Swedish filmmakers ‘going abroad to do good’
(
- Contribution to journal › Article
- 2017
-
Mark
The Entangled Media Geographies of the Nordics : Contemporary Scandinavian Production Practices through the Prism of Audio-visual Nordic Noir
2017) Tracing Entanglements in Media History(
- Contribution to conference › Paper, not in proceeding
-
Mark
Contemporary Scandinavian Cinema between Art and Commerce
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
A Publicly Owned Media Company Co-Producing Audiovisual Content? : The case of Film Väst - Invited Keynote Talk
(
- Contribution to conference › Paper, not in proceeding
-
Mark
Present European and Scandinavian Co-production Practices Through the Prism of The Girl with the Dragon Tattoo (2009).
(
- Contribution to conference › Paper, not in proceeding
- 2016
-
Mark
A Note on the Changing Geography of European Film and Television Production since 1989
2016) SCMS ATLANTA 2016(
- Contribution to conference › Paper, not in proceeding
-
Mark
A Clash with the System : Experiences of teaching film and media production in the south of Sweden
2016) NECS: European Network for Cinema and Media Studies, 2016(
- Contribution to conference › Paper, not in proceeding
-
Mark
Some Notes on Present European and Scandinavian Co-production Practices Through the Prism of ‘The Girl with the Dragon Tattoo’ (2009)
2016) European Co-Production Symposium: a multi-disciplinary conference of scholars, practitioners and policy professionals 23-24 November 2016, University of Copenhagen, Centre for Modern European Studies (cemes.ku.dk) p.1-9(
- Contribution to conference › Paper, not in proceeding
-
Mark
Cinema in the Welfare State : Notes on Public Support, Regional Film Funds, and Film Policy in Swedish Film
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Review of Andrew Higson, Eva Norup Redvall and Ib Bondebjerg (Eds.) European Cinema and Television: Cultural Policy and Everyday Life London: Palgrave Macmillan, 2015, 256 p.
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
‘Why not make films for New York?’ : The interaction between cultural, political and commercial perspectives in Swedish Film Policy 1963-2013
(
- Contribution to journal › Article
- 2015
-
Mark
Petr Szczepanik & Patrick Vonderau: Behind the Screen: Inside European Production Cultures. New York: Palgrave Macmillan, 2013
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)