Stefan Östersjö
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- 2019
-
Mark
Activation and Participation in Ecological Sound Art
2019) Machinic Assemblages of Desire(
- Contribution to conference › Paper, not in proceeding
- 2017
-
Mark
Thinking-through-Music: On Knowledge Production, Materiality, and Embodiment in Artistic Research : Artistic Research in Music: Discipline and Resistance
2017) In Orpheus Institute Series(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Participation and creation: approaches towards an eco-systemic understanding of artistic practice
2017)(
- Contribution to conference › Paper, not in proceeding
- 2016
-
Mark
Go To Hell : Towards a Gesture-Based Compositional Practice
(
- Contribution to journal › Article
-
Mark
Choose Your Own Adventure Music : On the Emergence of Voice in Musical Collaboration
(
- Contribution to journal › Article
-
Mark
The sounds of Hanoi and the after-image of the homeland
(
- Contribution to journal › Article
- 2015
-
Mark
Post Human Computation : composition by Pierre Jodlowski for electric guitar, video and electronics
2015)(
- Non-textual form › Artistic work
-
Mark
Decomposing a Composition : On the Multi-layered Analysis of Expressive Music Performance
2015) p.171-171(
- Chapter in Book/Report/Conference proceeding › Paper in conference proceeding
-
Mark
'Patterns of Ecological and Aesthetic Co-evolution' : Tree-guitars, River-violins and the Ecology of Listening
(
- Contribution to journal › Article
- 2014
-
Mark
Intuition, hexis and resistance in musical experimentation
2014)(
- Chapter in Book/Report/Conference proceeding › Book chapter