Sanne Krogh Groth
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- 2020
-
Mark
Sound Art : The First 100 Years of an Aggressively Expanding Artform
2020) p.1-20(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
The Instrument as Theater : Instrumental reworkings in contemporary sound art
(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
The Audio Paper as Affective Attunements : Thinking, Producing and Listening
2020) p.159-169(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
“Diam!” (Be quiet!) : Noisy Sound Art from the Global South
(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2019
-
Mark
‘Nordicness’ in Scandinavian Music : A Complex Question
2019) p.3-19(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
Togets Stemmer
(
- Chapter in Book/Report/Conference proceeding › Book chapter
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Mark
Out of Space
(
- Contribution to journal › Debate/Note/Editorial
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Mark
The Audio Paper : From situated practices to affective sound encounters
(
- Contribution to journal › Article
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Mark
Sonic Argumentation 1 + 2
(
- Contribution to journal › Debate/Note/Editorial
- 2018
-
Mark
Noise in the Tropical Underground
2018) In Seismograf(
- Contribution to journal › Article
-
Mark
DIY-praksisser på Javas eksperimentelle musikscener
2018) Musikforskning idag 2018(
- Contribution to conference › Abstract
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Mark
Orgel : Fortidens klang - nutidens stemme
2018) In Seismograf(
- Contribution to journal › Debate/Note/Editorial
- 2017
-
Mark
Composers on Stage : Ambiguous authorship in contemporary music performance
(
- Contribution to journal › Article
-
Mark
Sound Art Situations
(
- Contribution to journal › Article
-
Mark
Composer / Performer
2017) In Seismograf(
- Contribution to journal › Special issue (editor)