Annette Hill (Former)
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- 2022
-
Mark
Roamers : audiences on the move across entertainment platforms in Southeast Asia
(
- Contribution to journal › Article
-
Mark
The Act of Watching Documentary
2022) p.65-76(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Entertainment Mobilisation : Nordic Noir Fans and Screen Tourism
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Media Engagement
2022)(
- Book/Report › Book
-
Mark
Fugitive cult receptions of conspiracy thriller Utopia
(
- Contribution to journal › Article
- 2021
-
Mark
Transgression in Contemporary Media Culture
(
- Contribution to journal › Article
-
Mark
Introduction : Mobile socialities
2021) p.1-15(
- Chapter in Book/Report/Conference proceeding › Foreword/Postscript
-
Mark
Fear : Introduction to Special Issue
(
- Contribution to journal › Article
-
Mark
Documentary Imaginary : Production and audience research of The Act of Killing and The Look of Silence
(
- Contribution to journal › Article
-
Mark
Who Killed Utopia? : Cult Conspiracy Drama and a Television Imaginary
(
- Contribution to journal › Article
-
Mark
Media Industries and Audiences : an Analytic Dialogue
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
The Routledge Handbook of Mobile Socialities
Hill, Annette LU ; Andersson, Magnus LU and Hartmann, Maren LU (2021)
- Book/Report › Anthology (editor)
-
Mark
Transported Immobility
2021) p.290-301(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2020
-
Mark
Participation in Reality Television : Enterainment Mobilisation in Dance Talent Shows
2020) p.51-62(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Reality TV : Performances and Audiences
2020) p.201-220(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Parameters of Media Engagement
(
- Contribution to journal › Article
-
Mark
Media Industries and Audience Research : an analytic dialogue on the value of engagement
2020)(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Audiences Assemble : becoming an audience and produser in mixed media environments
2020)(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Breakneck Brexit : Engaging with political storytelling in live professiona wrestling
2020)(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Television’s undoing of social distancing
(
- Contribution to journal › Letter
- 2019
-
Mark
Live Reality Television : Care structures within the production and reception of talent shows
(
- Contribution to journal › Article
-
Mark
Wrestlers, Fans and Power Dynamics at Live Events
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Provocative Engagement: documentary audiences and performances in The Act of Killing and the Look of Silence
(
- Contribution to journal › Article
-
Mark
Esperienze Mediali : Dalle serie TV al Reality
2019)(
- Book/Report › Book
-
Mark
Engaging with Reality Television
2019)(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2018
-
Mark
Media Audiences and Reception Studies
2018) p.3-20(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Saga’s Story : Emotional Engagement in the Production and Reception of The Bridge
2018) p.269-284(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Media Experiences : Engaging with Drama and Reality Television
2018)(
- Book/Report › Book
-
Mark
‘Paranormal Reality Television: Audience Engagement with Mediums and Spirit Communication’
2018) p.121-136(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2017
-
Mark
Nordic Noir
2017) p.1-21(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Reality TV Engagement: Producer and Audience Relations for Reality Talent Shows
(
- Contribution to journal › Article
-
Mark
Media Industries and Engagement: A Dialogue across Industry and Academia
(
- Contribution to journal › Article
-
Mark
Special Section: Media Industries and Engagement: Introduction
(
- Contribution to journal › Article
-
Mark
Reality TV Crime Programs
2017)(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2016
-
Mark
Push-Pull Dynamics : Producer and Audience Practices for Television Drama Format the Bridge
(
- Contribution to journal › Article
-
Mark
Intimate Authenticity : documentary audiences and citizen engagement with The Act of Killing and The Look of Silence
2016) International Association for Media and Communication Research 2016(
- Contribution to conference › Paper, not in proceeding
-
Mark
Sense of Place : Producers and Audiences of International Drama Format The Bridge
2016) p.281-294(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2015
-
Mark
Spectacle of excess : The passion work of professional wrestlers, fans and anti-fans
(
- Contribution to journal › Article
-
Mark
Reality TV
2015) In Key Ideas(
- Book/Report › Book
-
Mark
Audience Experiences and Emotional Economy
2015) p.277-292(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Studying Reality TV
2015)(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Passion : Introduction to Special Issue
(
- Contribution to journal › Article
- 2014
-
Mark
Paranormal Cultural Practices
2014) p.65-78(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Reality TV Experiences: Audiences, Fact, and Fiction
2014) p.116-133(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2013
-
Mark
Introduction to Civic Cultures
(
- Contribution to journal › Debate/Note/Editorial
-
Mark
Reacting to Reality Television: Performance, Audience and Value
(
- Contribution to journal › Review (Book/Film/Exhibition/etc.)
-
Mark
Ambiguous Audiences
2013)(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2012
-
Mark
Audiences in the Round: Multi-method research in factual and reality television
2012) p.302-317(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2011
-
Mark
Paranormal Media
2011)(
- Book/Report › Book
-
Mark
The Audience is the Show
2011) p.472-488(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Big Formats, Small Nations. Does Size Matter?
2011) p.203-218(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2008
-
Mark
Documentary Modes of Engagement
2008) p.217-231(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2007
-
Mark
Restyling Factual TV
2007)(
- Book/Report › Book
-
Mark
Reality TV : Perceptions by European Viewers of a New Genre of Television Programmes
2007)(
- Book/Report › Report
-
Mark
Vampire Hunters : the Scheduling and Reception of Buffy the Vampire Slayer and Angel in the United Kingdom
2007) p.43-56(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Mapping Genres : Broadcaster and Audience Perceptions of Makeover Television
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Public and Popular : British and Swedish Audience Trends in Factual and Reality Television
(
- Contribution to journal › Article
-
Mark
Value, Form and Viewing in Current Affairs Television : Tonight with Trevor McDonald
(
- Contribution to journal › Article
- 2006
-
Mark
The Social Amplification of Risk and the Media Violence Debate
(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2005
-
Mark
Synen på icke-fiktion i TV: resultatredovising
2005) In Arbetsrapport / Institutionen för journalistik och masskommunikation, Göteborgs universitet(
- Book/Report › Report
-
Mark
Reality TV
2005)(
- Book/Report › Book
-
Mark
24 Reality TV : Performance, Authenticity, and Television Audiences
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
The Idea of Learning : Young Viewers of Reality TV in the U.K
(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2004
-
Mark
Watching Big Brother UK
2004) p.25-39(
- Chapter in Book/Report/Conference proceeding › Book chapter
- 2003
-
Mark
The Television Studies Reader
Allen, Robert and Hill, Annette LU (2003)
- Book/Report › Anthology (editor)
-
Mark
The Television Studies Reader
Hill, Annette LU and Allen, Robert C (2003)
- Book/Report › Anthology (editor)
- 2002
-
Mark
Television Audiences and Everyday Life
2002) p.135-149(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Big Brother : the Real Audience
(
- Contribution to journal › Article
- 2001
-
Mark
Looks Like it Hurts : Women’s Responses to Shocking Entertainment
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Media Risks : the Social Amplification of Risk and the Media Violence Debate
(
- Contribution to journal › Article
- 2000
-
Mark
Fearful and Safe : Viewer Response to British Popular Factual Entertainment
2000) p.131-144(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Crime and Crisis : British Reality TV in Action
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Sex and the Media : a Shifting Landscape
(
- Chapter in Book/Report/Conference proceeding › Chapter in report
-
Mark
Research Report on the BFI Audience Tracking Study
(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
A Social Drama : Anti-Violence Campaign Groups and Media Violence
2000) p.248-260(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
Fearful and Safe : Audience Response to British Reality Programming
(
- Contribution to journal › Article
- 1999
-
Mark
Risky Business : Film Violence as an Interactive Phenomenon
1999) p.175-186(
- Chapter in Book/Report/Conference proceeding › Book chapter
-
Mark
TV Living
1999)(
- Book/Report › Book
- 1997
-
Mark
Shocking Entertainment
1997)(
- Book/Report › Book