Division of Creative Writing Program, Film Studies, and Theatre Studies

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2022
Mark Screening Precarity Scenes : Precariousness and the Welfare State in Scandinavian Film
Marklund, Anders ^LU (2022) p.303-323
- Chapter in Book/Report/Conference proceeding › Book chapter
Mark Dansa i Odessa
Andersson, Lars Gustaf ^LU and Kaminsky, Ilya (2022)
- Chapter in Book/Report/Conference proceeding › Book chapter
Mark Om filmatiseringen av Pär Lagerkvists "Hissen som gick ner i helvete"
Hedling, Erik ^LU (2022) In Pär Lagerkvist samfundets Skriftserie 29. p.149-179
- Chapter in Book/Report/Conference proceeding › Book chapter
Mark Efterord
Andersson, Lars Gustaf ^LU (2022) p.19-22
- Chapter in Book/Report/Conference proceeding › Foreword/Postscript
Mark Creative and crime scene photography : staged patricide and matricide as screen memories in Aida Chehrehgosha’s To Mom, Dad and My Two Brothers
Mendelytė, Atėnė ^LU (2022) In Photographies 15(2). p.167-186
- Contribution to journal › Article
Mark Introduction
Andersson, Lars Gustaf ^LU and Forché, Carolyn (2022)
- Chapter in Book/Report/Conference proceeding › Foreword/Postscript
Mark Ilya Kaminsky : ur Dancing in Odessa
Kaminsky, Ilya and Andersson, Lars Gustaf ^LU (2022) In Lyrikvännen 69(2). p.15-23
- Contribution to specialist publication or newspaper › Specialist publication article
Mark När Sverige förlorade Finland
Hedling, Erik ^LU (2022) In Axess p.77-78
- Contribution to specialist publication or newspaper › Review (Book/Film/Exhibition/etc.)
Mark Obduktion och mjuka texter : Shared Reading som metod på universitetet
Bernhardsson, Katarina ^LU and Törnqvist, Anna Clara ^LU (2022) p.257-287
- Chapter in Book/Report/Conference proceeding › Book chapter
Mark Nostalgi er ikke redningen : Kanon, filmkritikk og ufeilbarlige helteskikkelser
Svane, Anette ^LU (2022) In Montages
- Contribution to specialist publication or newspaper › Specialist publication article

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Division of Creative Writing Program, Film Studies, and Theatre Studies

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